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Three young women go through a series of misadventures (and jobs).
Six women were forced to participate in a mysterious game because they could not return the money they borrowed from the black market. Lolita, a famous maid cafe, Boyne, a idol, Doll, a manga artist, Nancy, a sex worker, Reika, a former assassin, and a mystery: Chimama. Accompanied by Max, Tyranno, and Latte, dispatched by a mysterious foundation, they search deep forests for Gumball trophies, and make them participate in a death game in which those found will be forgiven of their debts and others will be killed.
A villa keeper maid is defiled her chastity by her master, a rich man who owns a big company, and even gets killed. Her departed soul does not leave this world and takes a revenge on his family members by tormenting them one by one into death. The vendetta ends when her mother kills the master.
Lovers living in a 1DK apartment. A human infectious virus announced by a university research institute. Goldfish. water tank. What comes to mind after passing each other...
Years after his son’s death, they try to recruit him, Taba, and the son saves the life of a girl who later turns out to be Israeli, who tries to recruit him.
"En terrain libre" (in english: « Play like a girl ») is a portrait of young sports women who tell their stories with all the rebellious freedom they have won. The film oscillates between interviews and staged bursts of song and fiction.
In the old village near Moscow, owned by the famous artist Sergei Volynsky, lives his son Sasha and his wife Marina and daughter of six years.
Hong Kong movie
The indecent war begins to subdue the proud sister-in-law. An unemployed man, who was depressed with the money his wife earned, hurts his pride because of the appearance of a rude and promiscuous sister-in- law ...
Bat Megmel is a girl that lives in the Magical World. One day, while practicing magic, she accidentally unleashes the demon king Atler. She must seal him again.
Two million years ago, Bat Mel, the daughter of a king in the Magical World meets a two horned person on her way home.
Demon King Atler seeks to conquer the Magical World. It's up to magical girl Melul to stop him.
The film commences with Ching (Tang Bik-wan) lamenting over her bleak life through singing: her mother died early and her stepmother (Lam Mui-mui) is wicked. The song precedes her appearance in the house while the cinematography helps to tug at the emotional heartstrings. Because of her debt-ridden father, Ching is forced by the stepmother to marry an old invalid. To prevent the marriage, Ching's lover Ho (Chan Kam-tong) raises money by agreeing to marry his own cousin (Fung Wong Nui). Ching's life is doomed, yet, when the stepmother absconds with the money. With all her hopes dashed to the ground, Ching decides to opt out of marriage for life. However, witnessing her 'self-combed' sworn sisters being bullied even to the point of committing suicide further devastates her. This tragic heroine comes to life through Tang's masterful performance both as a singer and an actor. The climatic and tear-jerking scene of Ching dying is definitely a highlight of the film.
Ladki Sahyadri Ki is a 1966 bilingual social drama starring Shalini Abhyankar, Sandhya, Vatsala Deshmukh and others. Rani is asked to join a theatre troupe but her family does not allow girls to work. The village temple needs to be repaired and to help pay for it, she takes it on. She gets into trouble when the stage-owner makes advances towards her and she snubs him. This man is responsible for the temple repair work and he stops it out of spite. Can she make sure the temple is restored?
Four close sisters have only one idea in mind: to do it. As their feminine bodies bloom, they slowly become more and more aware of their seductive power and above all they become painfully aware of their universal solitude.
Sunetra is a migrant cook from far away Bengal working in Kerala. To celebrate her birthday Adi, the young poet she loves, steals a car and takes off with her to a beach. The two lovers do not realise that the car belongs to a thug who is following them - a thug who will not hesitate to kill. SUNETRA can be seen as a metaphor for life itself, where death is always hiding behind the trees. As always, the Babusenan Brothers are exploring their philosophical concerns here through the medium of the film story.
