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In the near future Japan's economy is in shambles and bet bowling is huge. Team Kingpin hopes the government will ban bet bowling so they can open a casino. The team full of beautiful girls, team allways, engages in a fierce battle to stop them.
A girl stands on top of a building looking down at the city. She jumps. She falls with her eyes closed and eventually finds herself in a pond surrounded by bizarre faces. The falling continues...
According to Thai superstition, a virgin can ward off rain by planting lemongrass upside-down underneath an open sky. This belief remains prevalent to this day. As clouds begin to gather, Piano, the young production manager on a film set, is tasked to carry out this tradition. As her fellow female co-workers shy away from the duty, Piano is left with no choice but to take on the burden of becoming the lemongrass girl.
Nico, a girl who has closed her mind from noise and whose only emotional support is her favorite coffee shop, one day meets Ryota, a boy who is being abused by his parents. Nico, who had been abused herself, could not forgive Ryota's parents.
In Turkey far too many women are still unable to read and write, and all they see in their life span is being forced into early marriage and relegation to the home, where they look after extended families and more children than they can feed. The girls are portrayed in their homes, together with the strongest supporters of their emancipation through education: their mothers. Girls of Hope portrays five girls who struggle for their education and, despite all the difficulties, try to hold on to their hope for a better future.
Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.
A chilling vignette into social pressures at school, the tyranny of status, and the slippery slope of drugs. With bold commitment and subtle nuance, Pagalytė creates a time capsule of Lithuania in the 2000s, leaving a mark on Lithuanian filmmaking for decades to come.
Manon and Julie, two teenage girls, meet at a bus station, where they both missed the bus. The next one is in 24 hours. They decide to not go home and wander together in the city, waiting for the next departure.
A woman (Lil Dagover) who has lost her husband falls in love again, but is bitterly opposed by her daughters especially the title figure who can't stand the thought of seeing her mother going into a relationship with another man. Those who want to see if Schünzel can pull of drama as easily as he does comedy should give it a try.
German filmmaker Barbara Teufel directs Die Ritterinnen (Gallant Girls), based on her own experience in Berlin during the '80s. The film is a mixture of archive footage, interviews, and dramatization starring Jana Straulino as Bonnie. On Labor Day in 1987, a group of radical girls in the Kruezberg district of West Berlin started a violent protest of the International Monetary Fund and World Bank Conference. The story of the group's anarchist actions are linked to Bonnie's personal story of coming out as a lesbian.
This drama depicts the loneliness and love of a daughter whose father and home village have been submerged by a dam development, while also incorporating Japan's unique eroticism.
A woman who is restless in the house either lacks sexual love or true love. Even a good woman can climb a wall, depending on whether you are willing to climb it or not
Taking a breather from the crisis of her marriage, a surgeon named Celina visits the country house of an old friend who she hasn't seen since their university days. When she gets there, she realizes that something is going on with Paula, her friend's step daughter. Soon she learns that Paula attempted suicide, but Celina is in no shape to help anyone, because she is fleeing a dark secret of her own and has come to the worst place of all possible places to save herself. In the limbo of this hellish little town, her ghosts are reborn, infecting everyone around her...
Teenage girls take their shirts off at a party together but they attract an audience.
A short story about a great intrusion and an irreversible loss. Do you even know who you are? How often do you change your mind? How much can you trust what you think you know? Caught between memory and nightmare, Margarita is trying to shut the door.
Abandoned by her father long ago, and mistreated day after day by her bitter and cynical mother, young Nadya still dreams of finding true and lasting love.