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A story about the creative biography of Alexei German Sr. through the prism of his latest film - It's Hard to Be a God. Many shots from the shooting are published for the first time. Herman did not belong to any school or direction of cinema. Working on his films, he turned to the images of Brueghel and Bosch. Herman's hyperreality is saturated with details so that the viewer is cramped there. His method required such painstaking work that he made only five films in his life - and the last one did not finish. What was this method?
September 1st, 1939. Nazi Germany invades Poland. The campaign is fast, cruel and ruthless. In these circumstances, how is it that ordinary German soldiers suddenly became vicious killers, terrorizing the local population? Did everyone turn into something worse than wild animals? The true story of the first World War II offensive that marks in the history of infamy the beginning of a carnage and a historical tragedy.
In Groß-Umstadt, a small town in the Oberwald region of central Germany, a community of Portuguese workers arrived in the 1960s. Legend has it that a young Portuguese man was travelling through the area in 1962 when his motorbike broke down… and he never left, becoming the first Portuguese person to settle there. This documentary looks at the immigrant story between Portugal and Germany.
A singer with a divine, angelic voice. She lived a bright, but such a difficult life. And she sang in a way that the happiest people do not sing. She was born in Uzbekistan, years of life and audience love connected her with the Soviet Union, she considered Poland her home, and her fate was decided in Italy. On the way to Milan, the singer got into a car accident, which for many years deprived her not only of the stage, but also of a full life. The film was shot in the genre of docudrama and is based on real events. It is based on interviews with Anna's husband Zbigniew Tucholsky, as well as with her close friend Anna Kachalina, music editor at the Melodiya recording studio.
The film, Document USSR-81, shown on February 19th, 1946, at the Nuremberg International Military Tribunal of the major war criminals, barely registered at the time and today largely forgotten, and yet one of the greatest films of Soviet cinema. A meticulous documentation of the war of annihilation waged by the Wehrmacht and the SS over the long years between 1941 and 1945. The victims have names and people who mourn them.
An alternative history of the not-so-well-known West German genre cinema of the 1960s and 1970s.
A documentary about german cinema from 1960 to 1990. It follows "Verfluchte Liebe deutscher Film".
This Soviet-made film was screened on February 19, 1946 on the 62nd day of the Nuremberg Trial and submitted as evidence relevant to the indictment for "crimes against humanity." The one-hour film with voiceover commentary shows visual evidence of the extermination camps of Auschwitz and Majdanek and appeals to spectators' emotions by emphasizing individual victims. The central argument of the film is that the Germans were the executioners of peaceful Soviet citizens. At the time, it made a very strong impression on both the accused and press. The film is a re-edited compilation of footage collected by the Soviet film team over four years (primarily used for propagandistic ends in wartime Soviet newsreels and documentaries). It was prepared in emergency by the Soviet prosecution team and minister of cinema following the projection of Nazi Concentration Camps presented by the Americans on November 29, 1945.
She is the pride of the German Navy: the frigate Hessen is a state-of-the-art military ship specially designed for air defense. Since 2006, the high-tech giant has been in service with a crew of 255. In the world's largest maritime maneuver, the "Hessen" trains as part of the U.S. aircraft carrier group in strategic interaction with six other warships.
Modern weapons- techniques and military strategies determined since times the performance and the outcome of wars. In the center of weapon-related innovations stood - at latest since the wars in emplaced and fortified positions, beginning in the 20th century - the mobility. The invention of the fighting tank has made possible a high grade of movability, and determined the result of World War 1. The "blitz" wars at the beginning of World War 2 were possible only by combined deployment of modern tanks and a superior air force. Analyzing of important tank battles stresses the importance of technical standards, of tactical deployment, as well as the high commitment of the tank crews. Films in colour and black and white, partly never seen before, will show for the first time the development of the German Tank Forces from the years of 1914 until 1945 in a comprehensive way.
Overview of raw and finished products of the chemical industries in the GDR.
Soviet wartime cameramen accompanied the fighting troops of the Red Army on foot, aboard their tanks, and in their aircraft to film this epochal documentary of the Battle of Moscow that halted the vaunted and---until then, unstoppable---German war machine cold in its tracks.
He became a beacon of hope for thousands of children and a lifesaver for hundreds: the Jewish German Fredy Hirsch. Director Winfried Laasch takes a look at one of the last mysteries of the Holocaust. As a boy scout, Fredy Hirsch took care of those who were most helpless in the face of Nazi reprisals from an early age: Jewish children and young people. First in Düsseldorf, later in Prague, then in the Theresienstadt ghetto and finally in Auschwitz.
