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Two craftspeople, Uli and Didi, are working on a swastika in their workshop. Somewhere between a rural idyll and the monotony of country life, they wonder about the strange newcomers to their village.
Soldier Ignaz Wolz returns from WWI with an immeasurable hatred of capitalist war profiteers. He decides to start his own revolution, but tries to stay away from the organized class struggle. He steals from the rich men and divides the wealth among the poor. One day, Wolz is arrested and sentenced to life in prison; seven years later he is released due to mass protests. More than ever, it is hard for him to fit in. He severs ties with his former companions, who reject his ideas, and leaves Germany.
The summer of 1974. The city is empty, all their friends are on holiday and Daan and Jonas -not friends- will simply have to get on with each other. But their heads are full of Heleentje, who's gone, but not on holiday.
Ingolstadt 1929: In search of the "German Woman", the young author Marieluise Fleißer creates her emancipated alter ego in her novel character Frieda Geier, which knows how to assert herself in the business world. Fleißer herself, however, suffers from the female image of her time, the influence of her fiancé Draws-Tychsen and her own self-doubts, until the one and only Frieda Geier suddenly shows up on her doorstep and turns her life upside down.
This film claims that the Germanic tribes predated the knowledge of the ancient Egyptian pharaohs, then compares these findings with the contemporary German regime of Adolf Hitler.
The core of this most personal of the Thorndikes’ projects are Annelie’s diary entries: Her story is to be the starting point for a kind of all-German ‘Heimatfilm’ that praises the utopian power of the GDR and sharply condemns Federal German wrongs, but finds transcendent beauty on both sides of the wall. Over the course of production, however, the visionary dimension of the project was progressively trimmed down, though it’s still tangible everywhere in the compromised final version: The intensity of its pathos is both oppressive and enchanting; some historical simplifications and ideological twists and bends may be hair-raising, but they still achieve the desired effect.
Under the burning sun, beachgoers are trying to take advantage of every minute of their paid trip to a desolate beach. Among them are a mother with her grown son, two ladies and their dog, a passive-aggressive married couple, loud Italians, happy Hungarians, and an overweight, possibly dead, German lady.
Documentary about Carinthian Slovenes and the resistance during WWII.
Siegfried "Siggi" Trzoß, a radio moderator from East Berlin, is working tirelessly leading up to his anniversary and 900th show. The music his heart burns for is East German Schlager, a genre politically ignored at first and widely forgotten now. But Siggi keeps the dream alive to this day, making the hearts of seniors jump higher in nostalgia all over east Germany.
A cinematographic account of the reprisal ordered by the ruthless Austrian colonel Kappler in 1944 in Rome. In Via Rasella (Rasella Street) ten Italian civilians were sentenced to death for each German soldier killed in a partisan attempt.
The story published in 1921 follows Corkan, general scapegoat in Visegrad, a figure of fun who himself joins in the mockery. The object of his obsession is physically inaccessible: a tightrope walker in an Austrian circus company visiting Visegrad.