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Standing Before the Sea tells about the conflicts between the new and the old as the country stands on the threshold of a great change. From the conflicts between children and adults between director Ba Duc (Truong Khoi) and chief accountant Chin Tam (Tra Giang), the film takes viewers back to a time when people dedicated to the country stood in front of them, making big choices and having to deal with the stagnation and obstacles of the old. The film by director Tran Phuong was produced in 1990 with the participation of actors Trong Khoi, Thuong Tin, and Tra Giang.

The main character Andrei was abandoned by a girl, in the end he records her farewell video so that she remembers what happened to them.

Csutak gets a role in a children's radio play, but has to face trouble when the star of the show turns out to be a juvenile mobster, who practices extortion on the local kids.

For the besieged Leningrad, the primary need was bread. But it was equally important to ensure the smooth operation of transport communications. In order for the city to live, people had to go to the factories, soldiers - to the front; it was necessary to transport a huge amount of cargo… The most indispensable transport was the tram.

Volkhov Front in 1942. The young political instructor of the counter-propaganda department of the headquarters of the division Rusanov is torn to the forefront. Together with an experienced warrior — captain Shaternikov — the hero gets to the forefront and transmits from the sound transmission programs addressed to German soldiers. And in the hours of calm passes several kilometers in order to see Katya, the signal woman of a neighboring sector of the front.

On a summer night in 1975, a military train sped through the north-east of the country.

The second 'Front and Back' film.

The third 'Front and Back' film.

The fourth 'Front and Back' film.

The fifth 'Front and Back' film.

The final 'Front and Back' film.

A cinematic analysis of a photo album made by a Romanian Army unit in WW2.

Zombie elves are unleashed on a tabloid writer who is determined to uncover a Christmas conspiracy.

Ace reporter Curt Devlin and fellow reporter Ellen Garfield love one another, but Curt believes women are "bum newspapermen". When a murder investigation ensues, the two compete every step of the way, determined to not be scooped by the other.

One year after the Korean War, the conflict had reached a stalemate. The two opposing forces began to search for a way to end the grueling war of attrition, eventually settling on a modest village called ‘Pan Mun Jom’ near Gaeseong as the designated site for negotiations. Despite initial hopes for a quick resolution, the negotiating parties encountered obstacles that prevented an agreement. Disputes over the military demarcation line and the repatriation of prisoners of war thwarted their efforts. The film peels back the layers to reveal the untold story of Pan Mun Jom, shedding light on a history that has remained hidden until now.

Documentary about German soldier and embedded journalist Götz Hirt-Reger during Second World War on the eastern front.

Explore Magellanic Clouds, Black Holes, Asteroids and other phenomena of the universe in the Cosmic Front series.

Right / Now I am a monkey / A hundred-eye monkey / Right / Just now / I disguised / The hundred-eye monkey / In front of you / Squatting on the branches / Curling up like a monkey / With brown hair all over the body / So resemble / I keep still, really still / The leaves above my head keep me warm at night / It might be raining soon / But that’s fine / Leaves are water-proofed / I remain still / I am away from everything under the leaves / They keep me invisible from anyone or anything / Like bears, goats, mosquitos, earthworms, and even another piece of leave / I am safe, thus, I will keep being still / I feel fine / Yes, I think this is me / The look of my body doesn’t mean anything to me anymore / As long as I close my eyes / I could be anything I want

After the collapse of the Soviet Union, Natasha immigrates as a child with her family to Germany. The film begins today, twenty years later, when Natasha returns for the first time to her unknown home. Natasha's time in Baikal Port is mainly structured through her everyday encounters with the people who live there. In different situations, she meets them and gets into conversations about employment and living conditions that are still marked by the effects of the Perestroika. While Natasha gains these intimate insights into different ways of living, she reflects on her own position and tries to make a connection with this place, which is a part of her identity. The cinematic drawing of intimate portraits of people living in Baikal Port as well as Natasha’s play- acting as a returning, identity-seeking figure is accompanied by an ever-present recording camera.