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On a beautiful spring day, a small village full of eccentric characters wake up to hear Selma has had a premonition: she dreamt of a rare animal again – an okapi. All the village knows this means someone is about to die. Selma’s granddaughter, 11-year-old Luise, and her best friend Martin look on as fears of being the victim of the prophecy throw the village into a frenzy of confusion. But when the premonition comes true, it is young Luise’s world that is suddenly turned upside down. Ten years on from the event that changed her life, Luise lives a quiet life working in a bookstore, until the arrival of an unexpected guest enables her to rediscover how powerful and life-giving love can be.
A spatial exploration of Miami, and the endless pursuit of the American Dream in an era of immigrant mass mobilization, the absurd dominance of wealth and border securocracy.
When all North American air traffic was grounded after the terrorist attacks on 9/11, over six thousand passengers from all over the world were stranded in the tiny community of Gander, Newfoundland. For five days the people of Gander housed, fed, clothed, and entertained their homesick visitors, creating a lasting memory for the waylaid passengers and forming a unique bond that continues to this day between the people of Gander, and the ‘come from aways’.
In Jerusalem, between the west bank and the east bank, lies a promenade which serves as a border line between the Jewish neighborhoods and the Palestinian ones. To the wanderers on both sides, the view posed along its length is a view of the conflict (from the separation wall, through the Palestinian neighborhoods and reaching the Temple Mount). Turning back to the landscape, and observing the Israeli people overlooking it, the film turns the promenade into a "canvas" on which the Israelis celebrate its confused identity - between the day-to-day and the national holidays, between the flowers and the memorial monuments.
From the lush and green grass of the Kazakh Steppe to the glorifying architecture of its capital, from its giant open-air mines to the traces of invisible nuclear power, Kazakhstan is here captured in fragments. A fake observational film, but a genuine geographical and historical journey, through the remnants of the Soviet past and the contemporary capitalist ambitions of the country.
