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From an undated notebook, circa 1935-1938. A group hunt and film in Camballa, along Nashik’s Gipsies Road. Maharashtra, India.
Gypsies in Italy, '40s. An 8mm home movie which depicts the emigration of a rom family aboard an horse-pulled wagon. A delicate portrait.
Amateurish voyeurism in a pre-tv era. Glances of female bodies (un)covered by swimsuits on the beach.
1978, Afghanistan before the wars. Kuchis (Roma people) move toward Bamian. The caravan is a living creature.
French Vietnam, early '50s. A military colonial movie. The city under military occupation, traveled by foot and bicycle. Small-scale eroticism.
This archive footage from the 1970s reveals the social upheavals and differences of the people in different Asian and African countries. The amateur shots reflect the social and economic conditions in these countries before their development as tourist areas, or before its people were afflicted with devastation and wars. The images are indifferent to a suffering they don't yet seem to know, and which has to be viewed anew with the knowledge and distance of today.
Yervant Gianikian and Angela Ricci Lucchi return to offer, through their work, often supported by original images and films, proof of how cinematographic art can affect individual conscience through its language, stimulating profound reflections on the inner world in spectators.
