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Documentary about the environmental policies and tree-planting campaigns of the Chinese state, and the eucalyptus plantations of the Finnish forestry company Stora Enso in Guangxi province and their impact on the lives and livelihoods of local residents.
When 31,000 policemen take action against 50 tree occupants and tear gas and truncheons are used, a 550-hectare "pedunculate oak-hornbeam-lily-of-the-valley-forest" becomes a symbol of resistance. Since 2015, director Karin de Miguel Wessendorf has accompanied the protests against the clearing of the Hambacher forest and against the destruction of the villages on the edge of the lignite opencast mining, the largest CO2 source in Europe. First it was only a rebellion of individual groups with different goals, but in the autumn of 2018 the protest against the clearing finally becomes one broad supraregional movement.
Kids in the woods falling from trees and hunted by bears.
This semi-musical stars Lenv Marenbach as Jana, a naïve farm girl who falls in love with a neighbor boy. It isn't long before she realizes that the romance is a mistake, but by now the couple is engaged. At the very last moment, Jana balks at the altar and runs off with her true love, her fiance's brother. This is the German-language version of the Czech film, JANA, starring Helena Busova.
December - May 2019, shot on two carts of the new Kodak Ektachrome 7294 stock.
Rabby, a little rabbit witch living in the forest of beadeds. Rabby get scolded by mom to clean up messy rooms with toys. But she doesn’t want to clear up. She tries to clear up using mom’s magic stick secretly. However··· A scary monster has been born from a small toys. What will be Rabby’s destiny?
Our friends Kitty and Mimmy travel to the Apple Forest with the fairy Pururu as their guide. The fairy's friends welcome them, mistaking them for the "brave twins" destined to save the Princess of the Apple Forest.
With the relationship between mother and daughter as a common theme, the film is divided into 9 image rooms with action patterns that are based on archetypal images and motifs. The film is unconventional in its choice of means of action. Ursula Reuter Christiansen, who is a painter, tells her adventurous stories with an emphasis on the visual element, which works in interaction with Henning Christiansen's original soundtrack. (DFI)
We don't have high mountains or dark valleys, so the forest has become a safe haven from invaders, diseases or other people. For many, the forest is a source of income, for others something like a sanctuary or rather a clinic. Twice in history it has supported the national currency. The most diverse people think about the forest in this film; their perceptions are opposite, but for everyone the forest is something very important.
Forest drama about the life of a beaver family.
The documentary tells the story of the Memory Forest, located in the Faculty of Social Sciences of the National University of San Juan. The short film shows some of its protagonists; Margarita Camus, Diego Fiol, Alicia Ruso, Cristina De Santis and Carlos Rodríguez, who met again in the place where the idea of creating this space for the memory of the detained-disappeared people in the last civil-military dictatorship was born. The piece was filmed entirely at the Faculty of Social Sciences and is the only high-resolution record of the history of the Forest and the testimony of its protagonists.
In the documentary film "Pfaffendorf Forest," we explore the legends and fears associated with the mysterious forest in the city of Koblenz, Germany, through observations and interviews with local residents.
This road movie documentary showcases reforestation efforts in the Amazon, specifically in the Alto Xingu region. Small farmers, city dwellers, and Indigenous peoples form a network of seed collectors organized by the Xingu Seed Network. With these seeds, large landowners are able to reforest areas on their properties.
Where temperatures fall so low that even the trees can freeze and explode, the flora and fauna of a certain forest in Japan's northernmost island of Hokkaido have evolved clever and curious ways to survive the cold. Squirrels rely not just on memory but also on an enhanced sense of smell to locate their stashes of nuts under the snow. A particular species of woodpecker carves a deep, roomy hole in a dense white pine for a nest, feasting on the ants it somehow knows are inside. And a coniferous tree native only to this region has devised an ingenious way of self-defense. The question is not how cold is cold, but how to exist in spite of it all.
For little money, a used kitchen worktop changes its owner and environment. Starting at the older, refurbished middle-class buildings of Prenzlauer Berg, going past the hip ice cream parlours with tussled Hawaiian sunshades, a boy and a woman in her twenties are carrying the newly purchased and slightly dilapidated worktop to the fringes of Berlin. The high summer midday heat makes the sweat roll into their eyes and the noise of the construction sites swallows the last speech fragments as the lines of cars pushes them into ever smaller corridors. Three Trees Don’t Make a Forest subtly describes a classist and neoliberal city architecture which develops a centrifugal force that inevitably pushes the precariously living inhabitants to the outside.
