For Rest

Life of the Uruguayan musician Gustavo "Príncipe" Pena who, with only two records, has created a name for itself in the music industry of the country.

This documentary celebrates Max Ernst, one of the most influential and visionary artists of the past century. The film covers the highlights of Ernst's fascinating career via a format that mirrors the restless reality of his life. An inveterate traveler and always on the move, Ernst lived and worked in Germany, France and America. His nomadic way of life kept him searching: "A painter is lost if he finds himself."

Evtim Manasiev is an outstanding engineer. At the office, he has made a name for himself as a "whole-hogger boss". At home, his motto is: "Love me, love my dog". His children rebel against his acting at variance with his own principles. Tired and exasperated, Manasiev realizes that he has been wrong in some of his actions. On a holiday, he runs into Mihaylova, a subordinate of his whom he has recently fired undeservedly. The meeting urges him to reconsider and to review painfully all his previous life and principles. —Georgi Djulgerov

Gu Xiaoqin’s factory exploded and a fire took the lives of 99 people in the workshop. Gu Xiaoqin came to a virgin forest to redeem their lives in search of a "lunatic" time restarter invented by scientists, but just stepped into the jungle, beasts, traps, men in black The appearance of Gu Xiaoqin and his teammates died one after another. Gu Xiaoqin, who woke up again, found that she had entered a space-time vortex. Can she find the time restarter to go back to the past? How many secrets her teammates have remained unknown? What is hidden in the repeated pursuit of the man in black? How to avoid the dangers of beasts is Gu Xiaoqin will face one by one.

The third part of the “Mujo Is Looking at Pretty Nizama” franchise.

A fly is treated to a portion of criticism.

Spin-off short story of the “Senritsu Kaiki File Super Kowa Too!” series, which is set after FILE-01.

How Alejandro, an artisan, and Kiara, his seven-year-old daughter, live in a small rented room in San Cristóbal de las Casas, Mexico.

A film about the Westman Islands eruption in 1973, the destruction and the restoration work which began a year later.

Tato just moved back home penniless. He decides to sell his bedridden mother’s house. Now he must build a replica of his mother’s bedroom to create the illusion that she is still in her home.

The film “Short stories of restoration” created by the Acropolis Restoration Service (YSMA) to accompany the photographic exhibition “Chisel and Memory: the contribution of marble craftsmanship to the restoration of the Acropolis monuments” which was hosted at the Acropolis Museum. The film uses footages of the audiovisual archive of the YSMA and the personal testimony of marble technicians who took part in the works, to shed light to the everyday life in the worksite, the contribution of marble craftsmen to the restoration works, and the emotions that they experience and share during the interventions.

Ami, a teenage Messianic Jew in Jerusalem who was seriously injured by a parcel bomb - sent not by radical Palestinian terrorists, but a Jewish extremist organization - in 2008.

Miki, a 15-year-old girl who just graduated from junior high school, came to a café for a part- time job interview. She found a scrapped car on that café’s site, and began shooting it with a camera borrowed by her brother. There was a board game “Othello” in the car. She unconsciously restarted moving the piece.

Ko Ha-na and Jeong Se-hee run a small restaurant in Okinawa, Japan, and through that experience, help heal each other.

A rural eye doctor helps underserved villagers in China regain their sight and their lives.

The time that Rests is a contemplative look at the daily life of the José Horwitz Barak Hospital, one of the oldest psychiatric facilities in Chile, located in the north of Santiago. It is not a film about madness, but about the passing of time in a certain place, which is reflected in simple things, in faces, in objects, nature, places, details, the humanity of the people portrayed. It is a film where every subtle visual and sound element becomes relevant.

Following the restoration of the forgotten Surinamese documentary Oema foe Sranan (1978) this film exposes stories of activism and struggle that enabled the production and distribution of this militant documentary.

Ashes are all that remain when someone dies, as the rest of us carry on with the remembrance of the past, in the form of things that continue to burden us. Granny Di makes a meagre living out of recycling cardboard and found objects on the street, carrying the ashes of her late husband wherever she goes. As the going gets tough, she is reduced to stealing and selling sacrificial offerings from the funeral home. Ellen Liu plays the desolate and desperate Granny Di, rendering a lively and moving performance with a human touch. The short brings us through the nooks and crannies of Hung Hom district, chronicling a sorrowful tale about forsaken old age.

The heroine is a widow and a fiancé who wants to begin a new and happy life. Conflicts in her family’s past prevent it, but she does not give up – she wants to clear away the ruins and do what she can. “Enough of looking for guilt, it’s time to find a solution,” she thinks, and takes action.