For M

A living room. A place where the private space of a flat is on public display. Using memory, supposition and measurable architectural elements, the space of the living room is continuously constructed and reconstructed, and the action grows into an interpretation of past, present and possible events and relationships.

The magnificent lagoon of Mayotte, an island in the Indian Ocean, is at the very heart of local life. The Mahorans are aware of this and try to protect it. From the wooded mountain top to the mangrove and into the sea, we came across dedicated men, women and children, turtles and sea cucumbers, right down to the vibrant coral reefs shimmering below in the turquoise water. The lagoon of Mayotte is a cradle of hope: to build a future that will be environmentally, socially and economically sustainable.

In order to really see justice done, Mai (Sombat Metanee) leave his work as a lawman, and funds his activities with some thievery of his own. Many elephants serve as co-stars in the action, as he achieves supremacy in crime but cannot escape his status as a wanted man. Eventually, pursued by criminals and the police alike, he takes his wife and children to Cambodia.

A collage of influences, spoken sentences, deeds, traces, and appearances of the Brno poet and prose writer Jan Skácel. Contemporary cultural figures regard the author as a social and cultural phenomenon. The directors of this documentary, on the other hand, decided to treat Jan Skácel as a subject of literary and social history, whose role in the cluster of regime and cultural events is unwavering and often – nowadays – glorified or otherwise embellished. In the film, they attempt to distance themselves from the established ideas about Jan Skácel and, at the same time, from past interpretations of Jan Skácel’s work. Instead, they interpret him through their own series of images.

A police investigator is violently interrogating a boy accused of subversive activities. Meanwhile, at home, his wife is tending to their gravely ill son. There is a strange link between the pain he is inflicting upon his prisoner and the recovery of his son.

Luba is a young Russian woman who, after coming to Iran which coincides with the Iran-Iraq war, her Iranian husband went to the front and she has not heard from her husband for three years.

On a beautiful sunny day, among lush greenery, singing birds, humming grasses, buzzing insects, there are the two of them – two women of a different age. So much divides them and, at the same time, so much attracts them to each other. They know each other so well. They are so close to each other. What is the secret behind their bond? What can they learn from each other? Where are they heading pushed by ‘one more moment’ spent together? This ambiguous, surprising and subtle cinema is about halftones when it unfolds in a serene and lazy holiday rhythm touching us with its warmth.

Marcela and Melanie are a couple that decided to have babies. While Melanie gets pregnant with twins through an IVF, Marcela takes hormones to induce lactation in her non-pregnant body. Together they start the journey to becoming mothers.

A story about the crew of a Bulgarian ship on the way to Lagos.

A musical comedy about a date between boy and girl which started badly but continued very unexpectedly...

"Acid" (1997) is an experiment with color saturation on an analog editing table. It was filmed, edited and manipulated on VHS. "Opium for the People" (2004) is an extension of these experiences.

An hommage to West Side Story.

About weak and defenseless creatures that move slowly and hide in their little house – a shell – at the slightest danger. This, of course, is about a snail. And what to do if she lost her house? After all, she faces many dangerous situations. The only one way out is to seek a new house.

Directed by Vladimir Kasyanov.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

Following his robbery, a man finds himself forced to board into a little grandma’s car to escape the police through the colorful streets of Cuba.

russian drama

Janka's family is like rotten fruit. It's beautiful on the outside, but the deeper you peel its layers, the less beautiful it becomes.