For

A sensory exploration from creation to tasting of tamales de tempispis, a traditional dish from Jalcomulco, Veracruz, in Mexico.

1940. On the border between Latvia and the USSR, a woman is killed in front of her house as she tried to protect her son from the liberating attack of the Soviets. Almost 80 years later, the archive photo bearing witness to this news item and representing a collateral victim of the European Union’s founding conflict forms the starting point for a journey undertaken by Davis Sīmanis. He navigates from one side to the other of this border, which today represents another separation, one that is geographical but also cultural: between Europe and Russia.

Dinora left Honduras for the United States in one of the migrant caravans leaving Central America. Settled in a suburb of Washington D.C., she speaks on social media of the difficulties she has encountered integrating, as well as of the presence around her of a film crew which has thus unwittingly become the subject of its own film.

West­ern for the SDS por­trays the de­vel­op­ment of the left as a learn­ing pro­cess among wo­m­en who shar­p­en their aware­ness in the move­ment but cont­in­ue to have no say. The con­tro­ver­sy sur­round­ing the film is shown in the DFFB week­ly news­reel Re­quiem for a Com­pany. The West­ern was con­fis­cat­ed by the ad­min­is­tra­tion, and eigh­teen stu­dents who sid­ed with Straschek were ex­pelled from the acade­my. The film was considered lost until its rediscovery in 2018.

A short film about the 'husband stitch' - a little known misogynistic practice performed after childbirth and how it affects the life of those who are involved.

A group of young people having a dinner together, during which they shared their personal experiences and played them out through a game.

During WWII in Ukraine both sides are desperately looking for the information about a forgotten weapons warehouse.

I visited with my camera to Gija-chon that was my uncle's house been for a long time after the phone number deleted. The break time for changing and destory or developement and loss. The space for Gija-chon and Eunpyung Newtown project. I prefer the breath than any word.

One night, a woman, who was calming a baby in her lap, was visited by a scary creature commonly called Kuyang or Tuju, and the unexpected happened.

Waiting For The Stork takes us to three countries where the gay and lesbian Baby Boom is in full swing,­ France, the Netherlands, and the US. It introduces us to lesbian mothers, candid children of gays and lesbians, and the ecstatic gay father of a newborn.

Experimental performance piece in which Ulrike Rosenbach turns to the waltz "I Dance with You in the Sky" in a circle until she falls over, scene through a supervision perspective through mirror hanging from the ceiling.

Through the maze of a nightmare, a young man faces his father. His trauma springs from the darkness and he gradually exorcises his bitterness.

The film tells the story of SAAL, Local Ambulatory Support Service (1974 - 1976), a movement launched after a revolution by a group of architects who responded to the struggle on the street by the poor residents who in the hot summer of 1974 shouted "Housing Yes! Tents ni! ".

A young woman passionate about music leaves everything for it, putting aside her family and a lover.

Two brothers from a dysfunctional family chase their respective dreams while engaging in other bizarre antics. One brother dreams of becoming a manga artist and the other wants to be a professional baseball player.

When a robbery goes wrong the only survivor tries to smuggle himself across the border by hiding in a coffin. When he gets out of the coffin he finds himself locked in a morgue freezer with three dead bodies. While trying to escape the morgue and his isolation he slowly starts going mad and hallucinating. Throughout the film he is haunted or menaced by a woman who may or may not be real. Unique and strange film that gets more and more weird as it goes along.