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Etienne Louis Boullée's most emblematic project is the Cenotaph for Newton, a funerary monument in homage to the famous scientist Newton, whose spherical form is a direct allegory of Earth
from: "Jazz on the Screen" by David Meeker
In 2004, thirteen Indigenous Grandmothers from all four corners of the world, moved by their concern for our planet, came together at a historic gathering where they decided to form an alliance: The International Council of 13 Indigenous Grandmothers. This is their story. Four years in the making and shot on location in the Amazon rainforest, the mountains of Mexico, North America, and at a private meeting with the Dalai Lama in India, For the Next 7 Generations follows what happens when these wise women unite. Facing a world in crisis, they share with us their visions of healing and a call for change now, before it’s too late. This film documents their unparalleled journey and timely perspectives on a timeless wisdom
Lane Hick is a young, bright Hollywood assistant who works for a sleazy but succesful reality show producer. His tasks are usually inane and degrading, but reach absurdity when the boss asks Lane to have his dog euthanized. When Lane finds out the dog isn't sick, he has to struggle with the moral dilemma of killing an innocent animal to advance his career in Hollywood.
When the workday ends the office computers power up to gossip about their users.
Four women in the throes of frustrated sexual desire. Not making fun of them but rather sending up the absurdities of passion and the ways in which it undermines our dignity. One woman, given to heady, long-winded monologues and carrying on like a silent screen vamp, envisions herself as a kind of Eve in the Garden of Eden about to seduce her Adam--but instead of being overcome by the fabled scents of Araby (or such) she is assaulted by the odor of "old socks, gasoline and aftershave."
An experimental film by David Rimmer (2003) which was influenced by or done to be performed at 'Rave' concerts which Rimmer was fond of attending in the 2000's. The relationship / resemblance of this film to 'light shows' (live projections) of the 1960's is unmistakable as an influence." -Al Razutis
This experimental "film" consists of an empty room with a bare lightbulb, and windows covered with a translucent material, for a duration of 24 hours. It is not necessary for visitors to stay for the entire duration - they can come and go as they please. Created by Anthony McCall, it is based on the architectural framing of time and light. It came at the end of a series of works in which McCall was stripping back cinema to its absolute minimum - light, time, and human experience/perception.
It takes a leap of imagination to get from the electric oven in 1935 to plastic clothes, video phones, vacuum tube emails, and the home cinema by 1955. But the Electrical Development Association was clearly optimistic, sponsoring this not exactly prescient vision of the future
Josh (Zach Weintraub) is a young American who has traveled to Buenos Aires to find subjects for a documentary series he has been commissioned to produce. While there, he seems also to be hoping to use the time to regroup—although regroup from what is unclear. The change of venue is not without its own set of problems, however. Josh finds it difficult to get his footing in Buenos Aires. Subjects aren’t coming easy, and he is having trouble connecting socially. He spends long stretches of time isolated in his rented room, struggling to move forward with his work and make social in-roads. Enter Anna (Sophia Takal), a young woman renting a room with an adjoining wall to Josh. After discovering each other through this shared wall, a friendship quickly blossoms which may lead to something more. What remains uncertain is if Anna’s presence will help pull Josh out of his doldrums.
Shed Tears for the River is a sponsored documentary, and is notable as the first film made by the South Australian Film Corporation, set up and financed by the South Australian state government. It celebrates the indigenous identification with river and land, and then looks at the degradation and destruction of the natural environment of the Murray river system in South Australia by human activities … riverboats, houseboats, leisure craft, shacks, development and the filling in of swamps, agriculture and industry and their polluting ways, whether via chemicals, detergents, excrement, fertilizers, barrages, locks, and salts produced by irrigation.
A very unique artist who specializes in paper mache art, Armenian artist Susanna Mkrtchyan is admired not only for her artistic talent but for the active role which she plays in the lives of people in her local community of Gyumri, a city which is located in Northwestern Armenia. A soft and gentle reflection upon a woman who has led a life dedicated to art and to others.
In 1977, Prince Charles was inducted as honorary chief of the Blood Indians on their reserve in southwestern Alberta. The ceremony, conducted in the great Circle of the Sun Dance, commemorated the centennial anniversary of the original signing of Treaty 7 by Queen Victoria.
The 2007 production by Paperhand Puppet Intervention performed in The Forest Theater. Running Time: 1 hour, 22 minutes Act 1: The Boat We're In Act 2: The Life of a Shoe Act 3: The Fragrant Weeds of Unimportance Act 4: The Opposite of Violence Act 5: The Song of the Ordinary
Multiple camera passes of baroque statuary with a soundtrack of dripping water and a Louis Couperin prelude highly distorted. The centerpiece of the film is Kerry Laitala's Chattertonesque photographic self-portrait.
A man with a dog helps a young woman being chased by hoodlums in the desert.
Boxer Joe Palooka steps into the ring after a friend's dog gets kicked.
A day in the life of one of Melbourne's television stations, as filmed off the screen, one frame in every 10 seconds in 1979. A powerful observation of the content of 'our box in the corner' 20 years ago. Set to the music of Bach.