Film When Y

Jack, a down-on-his-luck actor, begrudgingly comes home after the death of his father and discovers that his mum is in the grip of Alzheimer's disease. Now, the two of them must find some common ground before Nancy's time runs out.

In a year without concerts, 40 musicians found a vital breath of inspiration on a secluded beach near the sea. Creative Camp turned out to be a revelatory experience whose effects are still being felt today.

Students of a film institute tread through elusive memories and a long lost time, as they try to find meaning in the aftermath of a student’s absence.

A Sony a7SIII short film about a particular love story.

WHEN WE WERE LIVE is a feature-length documentary about the pioneers of Austin’s public access television in the 80’s and 90’s. Told largely through archival video, the film combines recent interviews with each character and video footage from their days on access. The result is five gripping vignettes covering different sides of the community and the era. Carmen Banana is a drag queen icon of the 80’s gay community who lost most of his film crew to a new virus called AIDS. Livia is a geophysics Ph.D. student by day and a foxy Elvira-esque call-in host by night. Keith Kritselis makes headlines after staging an on-air shooting, a la Orson Welles. Finally, a young music videographer named Dave Prewitt makes it his mission to start his own, better version of MTV, all focused on Austin music. Through each of their stories, we see the rise and fall of an era, the changing landscape of Austin, and the early roots of our current viral-video crazed world.

A thesis short film directed by Kla Imperial.

When The Clock Strikes is a short film dark comedy that digs into dating apps and the peculiarity of people. Perplexed yet intrigued by her unusual home, Tim can't figure out Veronica's intentions with him. Who (or what) will make the next move?

The third installment of Tux and Fanny

Jack Stevens informs the couple Philippe and Maud Perkins, who are celebrating their fiftieth anniversary, that he is too ill to celebrate and reminisce with them. In response to his letter, the couple decides that they will conjure up memories themselves: how they met in their early childhood, and how Jack Stevens got in timid Phillipe’s way. Or how Phillipe argued with boys who were throwing snowballs, because he wanted to defend Maud, which meant that he arrived late when visiting his antisocial mother. Or how Maud invited him to her birthday, or how Phillipe worked as a newsboy for J.Metz and used his wages to buy chocolates for Maud. Or how Jack gave the chocolates to Maud, and got into a fight with Phillipe, and finally how Maud and Philippe shared the chocolates, and kissed for the first time.

A medical interpreter is caught between two worlds as a naive doctor tries to help a determined Bengali women brought in for domestic violence.

A jet black comedy about friendship and vehicular homicide

This mockumentary explores what happened to the saxophone solos that were ubiquitous in 1980s music.

Banks is out there living her best life and thinks she can do whatever she wants with whomever she wants. Never thinking of the Consequences, but in this love triangle she does not expect for "When The Tables Turn"

A look back at the film-maker's career, via the use of out-takes, unused scenes, scenes from uncompleted films, home movie footage, etc.

Ciderville was wet, very much so, both inside and out, as was evidenced by the hilarious condition of some of its leading citizens, but the suffragettes struck town one day, and they proceeded to put the reverse on the well-known masculine thirst.

Comedy of a bachelor who succumbs to the charms of love and deserts 'the boys' who had given him up as a hopeless case.

Whilst investigating an unexplained death, detective Arianna Winters discovers a centuries-old mystery

In a fictional situation, three artist friends debate how to spend one of their few remaining Saturday nights in New York. Interpreted by artist and documentary filmmaker Maliyamungu Gift Muhande, artist and researcher Akeema-Zane, and Christian Nyampeta, their dialogue is centered around life’s little annoyances in the face of a world ablaze with unjust wars and cruel exterminations. Through improvisation and collaboration with theater maker and director Adrian Alea, their conversation draws from the works and ideas of Black and African writers and film makers who reflected on exile, social life, and urgent cultural action in the society of their time.

The monotony of an office worker’s life is disrupted when he receives a letter offering him money when a particular person dies. As these letters and the promised money is delivered to him regularly, his other fixed daily patters start to alter, as does his life style.