Film Une Fe

A look on transvestites and transsexuals in early 80's Paris. The documentary focuses on Elisa, a Brazilian transvestite and ends with a filming of a surgical operation male to female.

When her husband died Soumicha, mother of three, had to earn a living. She became the only woman taxi driver in Sidi Bel-Abbès, Algeria. This film accompanies Soumicha around a city where religious and political violence rages, and records her experiences in a job normally reserved for men.

Sophisticated romantic comedy of suspicious husbands, straying wives, handsome lovers, with various misunderstandings thrown in for good measure. (Including a gender-reversal of the old Pirandello plot twist from "The Late Mathias Pascal" of the protagonist changing identities after supposedly perishing in a train wreck.)

Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.

A young aristocrat whose ruined father decided to marry her spends one last night as a bachelor at the boarding school ball. But there, cheerful students strip her of her clothes and she finds refuge precisely with her future husband whom she did not know. Of course, the marriage that was so repugnant to them fills them with joy.

Preparing her gynecology thesis, Claude Sauvage, at the urging of a village doctor, Vincent Ferrière, agrees to replace him for a few days. During this time, she took it upon herself to abort the schoolteacher, who was afraid of giving birth to a handicapped child. But an anonymous letter denounces her, and she goes on trial.

A portrait of Carole Roussopoulos (1945 - 2009), who pioneered light video in France. Through extracts from her films, archival images, and interviews, the itinerary of a fighter who filmed the Women’s Liberation Movement, factory occupations, and early gay rights demands, and who, throughout her life, gave voice to the unknown—to the “voiceless”—participants in social struggles and movements for emancipation.

French TV star Nagui, described by Variety as "popular for his lowbrow-Letterman approach," portrays Zak, who learns about "the curse of Onan" experienced by males in his family. If Zak does not impregnate a woman before his 33rd birthday, the joys of sex evaporate forever. However, Zak's interest in married women creates a roadblock. Even his current girlfriend, art auctioneer Florence (Cristiana Reali) is a married mother of triplets. So Zak's rabbi cousin Joseph (Thomas Langmann) fixes him up with an attractive supermodel (Joanna Rhodes). It's a race against time before permanent impotence strikes.

Asya is a successful doctor and she has a perfect life with her husband and her son. But after finding a blonde hair on her husband's scarf, everything changes and she discovers her husband's extramarital affair.

From 1939 to 1972, every film being selected by its own country of origin, the Cannes Film Festival was a diplomatic ballet and the object of much wider issues than a cinema screen. Post-war, cold war, wars of independence, muffled propaganda ... this historical documentary approaches a Festival under influence and sheds light on controversies that have remained in the blind spot

A César award nominated short feature.

In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.

Colette, une femme libre is a two-part French biographical TV film directed in 2003 by Nadine Trintignant and broadcast on January 251 and February 1 2004 on RTBF, then on April 26 and April 27 2004 on France 2. A biography of the writer Colette, it was also the last role for Marie Trintignant, who was killed by her partner Bertrand Cantat shortly before the end of filming at the end of July 2003.

In November 1966, Mr. Owens completed his first film Autre fois j'ai aimé une femme ("Once I Loved a Woman"), which in its short existence, has had special screenings both at the school of the Institute and Morton Hall, the Second City Film Center, and the Filmmakers' Cinematheque of New York. Upon viewing Autre fois, Gregory J. Markopoulos wrote "[Edward Owens] may well be one of the few for whom 'amateur' and 'professional' need have no significance whatsoever: true to his own native talents, with grim determination uncanny, whether the mind in the arts is for or against beauty or its opposite twin, chaos." —John F. Steward-Butkovich, Brotman & Sherman Theatres