Film Tou

In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.

Wanting to complete the research of her doctor husband, a former actress returns to the stage and therefore abandons her home. Badly supervised, her little boy runs away. We find him ill in the Alps. He is saved by his father and the parents' union is sealed again.

The "Enfant terrible", the scandalous person, the hope of the German cinema, the new Fassbinder. The director, author and autodidact Oskar Roehler separates the opinions. The actrice Hannelore Elsner even describes him as genius and monster. Roehler got his breakthrough with the film "No place to go", who was celebrated enthusiastically by its audience and critics.

Turkish soap operas have taken the world by storm, conquering the hearts of millions of viewers in the Middle East, North Africa, the Balkans and Asia. With unprecedented access to the industry’s most glamorous actors and creative talent, Kismet unravels the secrets of this phenomenal success that transcends religion and culture. From the lavish production sets of the most popular Turkish soap operas, the film travels to streets and homes in Cairo, Abu Dhabi, Istanbul, Athens, Sofia and Mostar, to discover how these taboo-breaking soaps are helping women across the region to claim their rights and transform their lives.

From extreme weather to complete environmental destruction, the impacts of climate change can no longer be ignored as day by day our world ticks closer to oblivion. Despite the actions of world leaders the planet is slowly dying and time is running out. When all hope is lost an unlikely voice of emerges from the darkness– Greta Thunberg. This is the incredible true story of how the actions of one Swedish teenager went on to inspire a global movement that has pushed the fight for real action against climate change further than ever before. No one is too small to make a difference and never before has that been clearer.

Journey across Morocco, Spain, Mexico, Argentina, Patagonia, Texas and British Columbia, to meet vaqueros, gauchos, baqueanos and cowboys - all part of a single global horse culture, an unbroken trail stretching back 1,500 years.

Angeles City in the Philippines is a well-known sex tourism destination. Hundreds of local young women work in the bars and nightclubs offering additional services for the money they desperately need to make ends meet and feed their families. The real victims though are the sex workers’ children, conceived by foreign travellers. In most cases, the kids have never met their fathers who, after visiting for a brief holiday, either don’t know or care that their own offspring have been left behind. The burden of raising the children rests entirely on the shoulders of the already struggling mothers. An RT Doc film crew visits Angeles City to meet the children abandoned by foreign sex tourist fathers, revealing their lives and dreams and some heartfelt messages for the estranged fathers.

Naples. Don Raffaele Sapienza famous Neapolitan smuggler loses one of his men into the sea during a firefight against unknown offenders, meanwhile is kidnapped a child, the son of Mary, a former companion of wisdom. Raffaele is working now to find the child, and discovers that behind the kidnapping is a group of Marseilles, the same ones who killed the smuggler in the sea.

“The idea behind it is: Feminists claim that men objectify women’s bodies. So this was a revenge or a punishment for men who did that during their lifetimes, by being subjected to objectification by women in the after death state"

All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after night, when Clara is alone, going on with her experiments, the young man awkwardly manoeuvres with a view to declaring his flame. But the cold scientist remains unconcerned. In his trouble, Antoine regularly drops and breaks phials and other test tubes full of dangerous chemical products. He doesn't care when his skin gets into contact with acid. His heart burns too much for him to be able to feel the burning of his skin. And if he can't GIVE his hand to Clara will he really mind to... LOSE it ?

Dancing Around the Table: Part One provides a fascinating look at the crucial role Indigenous people played in shaping the Canadian Constitution. The 1984 Federal Provincial Conference of First Ministers on Aboriginal Constitutional Matters was a tumultuous and antagonistic process that pitted Prime Minister Pierre Elliot Trudeau and the First Ministers—who refused to include Indigenous inherent rights to self-government in the Constitution—against First Nations, Inuit and Métis leaders, who would not back down from this historic opportunity to enshrine Indigenous rights. The conference was Pierre Elliott Trudeau’s last constitutional meeting before he resigned and the process was handed over to his successor, Brian Mulroney.

Dancing Around the Table: Part Two charts the battle to enshrine Indigenous rights in the Canadian Constitution, capturing a key moment in Canada’s history from the perspective of Indigenous negotiators. The 1985 conference, chaired by Prime Minister Brian Mulroney, was the fourth and final meeting to determine an amendment to Indigenous rights as defined in the Constitution. The provincial premiers again refuse to reach an agreement with the First Nations, Metis and Inuit leaders, even though the majority of Canadians supported the inclusion of Indigenous rights to self-government. Director Bulbulian captures the pride and determination of Indigenous leaders and community members who refuse to back down on this historic opportunity to enshrine their rights, and the arrogance of the First Ministers who are fighting to keep power within the federal and provincial governments.

In order to win the hand of a princess, a man must defeat an evil dragon and claim its treasured magic stone. Upon his return, Baghdad has been invaded and he must use the stone to defeat his new enemy.

Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.