Film Top

"Toponymy - As Memórias do Porto" is a journey in a slow, but panoramic train to the past. This film intends to leave a legacy of ancient customs and crafts that began to fall into disuse in the "Cidade Invicta" and to document the collective memory of Porto, represented here by Alfredo, an imaginary and dreamlike character, and an ageless guide.

Long exposure work, frame by frame, in the streets of Prague. "East" atmosphere of confinement and self-censorship, foreboding and deleterious.

The first person did their 30 second segment and the next person received only the last shot. From there, they made their own segment and so on. There was no attempt at a coherent plot and any resemblance to one is merely coincidental. (Cinemageddon)

Coaster Frenzy gives an outstanding performance in his review of Dirty Coasters highly controversial "Top 100 Coaster in the world"

"My Life Over The Top" Is the real rags-to-riches story of a self-made Kingpin turned Boss Pimp. From selling pots and pans for pennies, to moving kilos of drugs and pimping high-class prostitutes, Virgil defined what it meant to be a Hustler. This documentary depicts everything from the times he was living on top of the world with millions of dollars to the times he was sent to prison and had it all taken away. This is the success story of a man who, against all odds, was able to overcome the dangerous challenges of street life and the penitentiary. This is the story of a living legend as told by the first-hand accounts of numerous well-known cross-country pimps, hoes and kingpins.

Race to the Top Tournament: Night One was a wrestling event promoted by Ring of Honor. It took place on July 27, 2007 in Deer Park, New York.

Race to the Top Tournament: Night Two was a wrestling event promoted by Ring of Honor. It took place on July 28, 2007 at the Inman Sports Complex in Edison, New Jersey.

One of a humorous series of films devised to explain in graphic terms the concepts of basic mathematical functions.

"No discovery of our time has so moved the whole world," proclaims an intertitle introducing this special extended newsreel edition. For once, Topical Budget's characteristic hyperbole is on the money. The discovery and excavation (some would say grave-robbing) of the tomb of the 14th Century BC Egyptian pharaoh was already an international sensation by the time this newsreel screened in February 1923. The sense of breathless excitement surrounding the discovery extends to Topical's intertitles, which expend a good portion of the film's running time explaining the relatively fleeting, poor quality images of the excavation itself. But we do get to see the removal of an ebony, ivory and gold chair, and two glimpses of expedition leader Howard Carter - in long-shot from behind as announced in an intertitle, but also a much clearer, unheralded shot at the 'halfway rest house', where he cuts a dash in white shirt and trousers.

"We´re going to exaggerate shamelessly." This sentence is spoken over black film by Lucy McEvil, transvestite, singer and passionate resident of Vienna, at the beginning of Wolfgang Muhr´s short portrait. Hyperbole is a wholly suitable leitmotif for a film in which an artist is shown portraying characters of the opposite sex, as the representation´s exaggeration, ironic refraction and displacement is what differentiates the act of dressing in drag from mere imitation of a certain sex.

Bertrand Mandico discovers Topsychopor, a psychological game invented by Topor.

The film is based on a book of the same name by Arthur Guy Empey, detailing his service as an American volunteer with the British Army on the Western Front.

See the original Top Gun fighter jet in air-to-air action footage, flying formation and inverted, refueling, going supersonic, knife over ridge tops, feel the shock wave, hear radio squawk and it's howling fiery engines.

Carmelo is a prosecutor who lives under protection with his son, Nicola. One night, while having dinner, Nicola lets slip the fact that in school other kids tease him, calling him "rat", as rats live in hiding. Carmelo understands this is a crucial moment in his child's growth, and chooses his words wisely. He starts telling Nicola a tale. The tale of the Rat's Angle. That same evening, late at night, Nicola and Carmelo are hiding under the bed, scared. Some men are trying to break into the house, screaming death threats. Carmelo looks at his son, he knows how to calm him down: he reminds him of the rat they talked about at dinner. The hitmen are now in the room. Carmelo closes his eyes, building up courage. He knows this is the last time he will have to. Then he jumps out of hiding.