Film The We

A wild and strange collection of raw uninhibited uncut skits, sketches and spoofs that make fun of the world wide web. Everything from commercials to movies to series to the news are spoofed. Directed by Nicholas M. GarofoloWriting Credits Nicholas M. Garofolo, Ethan Pierce, Efrem Saliu, Maurice Tillmon, Thon Vaultron.

On 29 April 1945, U.S.-American troops liberated the Dachau concentration camp near Munich, Germany. To mark the 70th anniversary of the event, former prisoners and U.S. soldiers speak about their experiences in the German HISTORY production "Die Befreier" (The Liberators – Why We Fought). The original order issued to the units on the ground was to destroy an assumed ammunition and fuel storage site and then move on from there. But what the U.S. soldiers discovered was beyond any imagination – a train full of corpses, and a camp with 32,000 prisoners inside, all of them on the verge of death. In the HISTORY documentary entitled "Die Befreier" (The Liberators – Why we fought), U.S. veterans and former inmates speak about the war-time experiences that changed, and continue to shape, their lives.

In this clay animation, simple but lively clay dolls that viewers can't help but love run amok in real landscapes. They arise spontaneously from nowhere, touch themselves one by one as if to confirm the joy of life, and the sight of them moving around with their whole bodies overflowing with the joy of life is irrationally heart-warming. What makes this film even more deeply moving is that it also depicts death, which is the exact opposite of their sense of life and loveliness. The sincerity with which the characters try to accept the death of their beloved companions with all their might goes beyond the realm of character that tends to be described with the word 'cute', and is established as a rich drama. The exhilarating flight scenes and the music, which more than compensates for the dialogue, are also worthy of special mention.

The Yakan weaving women of Isabela City, Basilan face their fair share of struggles post pandemic and battling with modernization as they weave together a tapestry of culture and identity.

"Wednesday Club" is a club of middle children who feel they haven't been accepted, that no one pays them any attention. There are seven members, Kong, Phali, Tam, May, Kun, Mac and Pheem, and one ironclad rule: members may not form romantic relationships with each other in order to maintain amity.

A doctor spends 24 hours in a clinic with a group of patients. Each character has his or her own story to tell, about their fathers, mothers, or spouses who don't understand them, and how they've turned instead to drugs.

They returned to their country after Afghanistan, but the country has become completely different. They rely only on themselves. They only trust each other.

The film portrays the relationship between a female Moroccan student, who has been forced to leave her studies at the Sorbonne for financial reasons and works as a dancer in a Paris nightclub, and a French naval officer. However, on returning to Casablanca she is tricked into believing that he had the led attack on her village that wiped out her family. She begins to plot her revenge.

A small creature travels through a well, hanging on a bubble and encountering various other strange life-forms.

"L'Occident" presents a story of the reaction of East and West in contact. It is based on a novel of Henry Kistemaeckers, produced for the screen by M. Henri Fescourt. The story is of the love of Hassina, daughter of a Moroccan chief, and Lieutenant Cadière, who lands from his ship to get information for the fleet about the position of an army of rebel tribesmen.

One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

Aliya, a 36 year old Kazakh lesbian, has, for the first time in her life, tried to play the Green Card Lottery and won. Now she cannot decide whether to leave Kazakhstan or stay. On one hand, Aliya is tired of the stagnation, corruption, and dictatorship of the Kazakh society, she wants changes in her life. But on the other, she is afraid of uncertainty and to start all over again in a foreign country.

A blustering gunfighter talks himself into the position of mayor in a small western town.

In the spirit of "Superbad" and "Dazed and Confused," "The Weekend" relishes the moments that made being a teenager so excruciatingly painful and fantastic. Over the course of a single weekend, various teenagers discover that, perhaps, they don't yet have it all figured out: Rich kid Jacob throws an elaborate weekend party, Benjamin thinks he's going to marry his hesitant girlfriend...

Those Were the Days is a Hong Kong Drama starring Eric Tsang

Facilitated by Echo Park Film Center, Hanoi Doclab and the Goethe Institute, The Sound We See: A Hanoi City Symphony invited a group of young Vietnamese filmmakers to explore their city on film, shooting with Super 8 cameras and processing/editing the images by hand.

An archaeological team from an Ivy League school discover something unexpected in their remote forest excavations of an ancient Native American site.

A young Muslim man, Rami, who is engaged to a young woman named Sara. We soon discover that Sam is also involved on the side with a young male artist named Lee.

Directed by Fahdel Jaibi and Fadhel Jaziri.