Film The Record Hd

Ashrita Furman holds the official record for the most Guinness World Records by one individual, including marks for "Largest Hula Hoop," "Most Apples Sliced in Mid-Air with a Samurai Sword," and "Longest Distance Bicycling Underwater." A health food store owner and devotee of meditation, Furman travels the world creating new categories for record achievement. In The Record Breaker we meet Furman, a singularly driven character, and his merry band of compatriots (including Champ the dog) as he's about to attempt to climb Machu Picchu on stilts.

RPM music is a small shop in the centre of Newcastle selling vinyl records. Founded by former students, the shop has become a place for people with love of music to come, browse, chat and share their stories. These are some of them.

A top model, Beckie, is on her way to a film location. When she enters the set, she discovers Mark and his team busy shooting a scene with a young model. In theirs early carreers Beckie and Mark were very close. Today, Beckie just returns from five years spent in Japan, and it is for her and Mark their first opportunity to meet again after all these years she spent abroad . Beckie seems full of hope, Marc does not look like being on the same page. It is quiet obvious that she and he have a dispute to settle, especially him. Throughout this day nothing happens as both pictured this reunion. Louisa, the young model, will also be a catalyst for all their moods. Who will win from this experience? Who will have been played by the other ? And for what purpose? This film talks about manipulations and lies. The ones that are told to others and those of whom one dwells. Illusions. Finally, does the end justify the means in this world where everything is only appearance?

THE RECORD MAN is a uniquely American story of how a group of musical underdogs with raw talent and diverse backgrounds, led by the indefatigable determination of one man, Henry Stone, exported the music of Miami to the world. Before there was a “music business” there was Henry Stone, “The Record Man”. From distributing records out of his '48 Packard to establishing TK Records as the largest independent label of the 1970s, Henry had an ear for hits. His funky eight-track studio and chart topping family of artists including KC and the Sunshine Band, led to the original Miami Sound and birth of Disco. When his empire collapsed on a baseball field in Chicago in 1979, Henry didn’t miss a beat launching Miami Freestyle. Turning personal tragedy into an opportunity to empower others, through Henry Stone we witness the dramatic arc of the record business from inception through the digital age. With photographs unearthed after 40 years, THE RECORD MAN captures a forgotten musical history.

The psychology of collecting records - whether they be Classical, Jazz, Popular or Rock is seen in interviews with both dealers and collectors all entwined with Devensky’s visual and sound obsessions. A powerful Documentary which shortly shows that it really doesn’t matter what one collects, for their ‘missing needs’ are all the same. The final incident is an interview with a disgruntled 78rpm record dealer who tells an unforgettable story of why in enter this business culminating, when, in otter frustration, he proceeds to destroys his stock of recordings.

For the Record tracks several court reporters, captioners and CART providers and they strive to attain the Guinness title of World's Fastest Court Reporter. It explores the “steno culture,” as experienced by stenographers, through such events as 9/11, the Nuremberg trials and other high-profile courtroom moments, while reviewing the history of these "keepers of the record."

Combining hand-processed 16mm imagery, a deconstructed lyric essay, and an ambient score by composer Vicki Brown, The Blue Record meditates on the pastime of ruin-gazing and its application across a wide range of aesthetic experiences. Informed in part by the work of Alain Resnais, Walter Benjamin, and the Romantic poets, The Blue Record is a collaborative study of what happens when the process of decay is arrested and ruins become commercial entities. Shot on location at Eastern State Penitentiary in Philadelphia, the film is at once an immersive and Brechtian examination of the experience of destruction as an aesthetic pleasure.

The Lost Record is a sci-fi rock ‘n’ roll essay fantasy film about art, music, fetish, creation, love, & records. Based on the LP "The Lost Record" by Escape-ism.

A rap artist is betrayed by the CEO of his record label when he lies and refuses to pay him a million dollars in back royalty money that is due to him. Instead the CEO used the money to make drug deals with the Russian Mafia, which left the struggling artist with loads of debt and nowhere to turn.

A little-known but lasting explosion of hip-hop culture grew out of the Filipino-American community of 1980s San Francisco. This film takes us into the beat of an aspiring mobile DJ crew in '84. Vanessa, sick of the the constraints and boring piano lessons in her conservative Filipino-American household.

Titles, a crocodile crossed with Big Ben roams the UK.

A young man with a baby on the way struggles to come up with a good birthday gift for his 90-year-old grandmother.

The live in-studio recording of Throbbing Gristle's Heathen Earth, in February of 1980, in front of an invited audience at the studios of Industrial Records Ltd.

The subject of this film is the problems of censorship in Iran, which interviews several Iranian journalists, writers and thinkers inside and outside Iran.

He's back. Eighties Rock Star Jonny Coyle tries a new start in his hometown of Austin, Texas. Stumbling forward through a music world he hardly recognizes anymore, struggling to stay clean and grow up, and accepting the social media era we all live in today.

Sunday 24th October 2004 witnessed the end of the most incredible British football league record. For as long as there is football the achievements of Arsenal Football Club that season--49 consecutive matches undefeated--will be remembered for years to come. The Arsenal 49 - The Complete Unbeaten Record DVD is a timeless celebration of this achievement. It includes all the goals from the 49 unbeaten matches, extended highlights from the games, the fans' stories and exclusive interviews with Arsene Wenger, Thierry Henry, Charlie George, Pat Jennings, Bob Wilson and Tony Woodcock.

In 1962 an unknown group from Liverpool entered Abbey Road Studios to record their debut single. During the next eight years they created what is arguably regarded as the greatest collection of studio recordings of the 20th century. This film charts The Beatles' extraordinary journey from Please Please Me to Abbey Road and reflects how they developed as musicians, matured as songwriters and created a body of work that sounds as fresh now as the time it was recorded. Narrated entirely by John, Paul, George and Ringo and Sir George Martin, the documentary features rare footage and photos from The Beatles' archives and never heard before out-takes of music and studio chat from the Abbey Road recording sessions.

The People's Book of Records was a comedy game show made in the United Kingdom, which offered members of the public the opportunity to set unofficial records for any activity that they chose. Examples of records featured in the series included eating peanut butter from nappies, swimming while singing the main theme from Jaws, and placing a novel by Jilly Cooper near a horse without it noticing. The show was first broadcast on 21 March 2003, and was presented by actor Dominic Coleman. British production company Zeppotron produced the programme after being commissioned in 2002 by the Channel Four Television Corporation, who broadcast the show on their eponymous channel. The People's Book of Records was featured as part of a GB£430 million season of new television programming on Channel 4 during 2003, and ran for a single series of nine 30-minute weekly episodes. Each episode was directed by Atul Malhotra, whose previous directing work had included the 2002 series of Comedy Lab. During promotion of the programme, considerable media attention was given to a record shown in the first episode of a man being licked on the buttocks by a dog as many times as possible in two minutes. Several commentators criticised the series as a whole for including such a segment: Jason Deans of The Guardian branded the show a "dog's dinner", while Jim Kresse of The Spokesman-Review stated that TV had "officially hit bottom" as a result. The record was set during episode one by Doug Bennett and his dog Harley with a final score of 71, before being broken during the third episode by Martin Shaw and his dog Star with a total of 145 licks. Executive producer Phil Gilheany defended the programme, describing it as "quite innocent fun".