Film The Record En Francais

Acèphale is an artistic cell of solo and group performances involving various members. It has performed internationally in such countries as the United States, Germany, Italy, Holland, Mongolia and Japan. Acèphale takes its name from the clandestine cult organization formed by Georges Bataille in 1938. Its present reincarnation was intuited by Sir Djeffery Babcock and Aryan Kaganof in 1994.

Jazz saxophonist Stan Getz and his cool West Coast sound created an enduring legacy via his performances and dozens of albums. Getz possessed an unerring sense of melody and a proficient technique, but it was his rich and distinct tone that branded him as unique -- or so said countless musicians and critics. Getz's last, peerless concert recording, presented on this disc, was captured live in 1990, one year before his death.

With cameras strapped to a road-legal Subaru Impreza STi, you'll be going 160 miles per hour over 37 miles of twisted roads in this fastest-ever ride.

A behind-the-scenes look at one of the most influential bass players in modern music as he recorded his debut solo. His long-awaited solo album (released in March 2014) spent four weeks at #1 on Billboard’s Contemporary Jazz Album chart and 34 weeks in the top position on smoothjazz.com. The documentary also chronicles Nathan’s three-decade-plus career from when he hit the road aged 16 with Barry White, his session and touring work across musical genres and membership of the legendary jazz quartet Fourplay. Features interviews with many of the musicians with whom he worked—including Clapton, Phil Collins, Lionel Richie, Quincy Jones, Vince Gill, Herbie Hancock and Don Was.

A conversation between Ringo Starr and The Eurythmics's Dave Stewart. Ringo talks about the early days and how he came into the band without an audition. Then the discussion turns to Beatlemania, and then Ringo plays Beatles songs on the drum kit. Another segment is when Stewart pulls out a box of LP albums and plays a flash card game with Ringo, asking him for improvisational comments on the records.

Lord I : The Records Keeper is a story of a distracted yet devoted archivist learning to shake off the mental barnacles of the past and evade egocentric projections of the future in order to locate and witness the present moment. Inspired by Vipassana meditation and the Kamana Wilderness Awareness Program.

Canadian concert pianist Glenn Gould enjoys a respite at his lakeside cottage. It is an aspect of Gould previously known only to the collie pacing beside him through the woods, the fishermen resting their oars to hear his piano, and fellow musicians like Franz Kraemer, with whom Gould talks of composition. (First of two parts.)

FOR DECADES HIP-HOP HAS BEEN CONTROLLED BY THE RECORD COMPANIES. THEY INVEST MILLIONS AND PROFIT BILLIONS FROM GLOBAL CASSETTE, CD, AND NOW RINGTONE SALES. MUSIC MOGULS AFFORD A LIFESTYLE COMPARABLE TO WHAT WE SEE ON MTV CRIBS. EVENTUALLY HIP-HOP ARTISTS WOULD ADAPT THE RECORD COMPANY FORMULA, AND START TO STRATEGICALLY PROMOTE AND MARKET THEIR OWN MUSIC. THIS HAS CREATED A CONFLICT INSIDE THE INDUSTRY. THE RECORD COMPANIES, IN CONJUNCTION WITH THE RECORDING INDUSTRY ASSOCIATION OF AMERICA (RIAA), HAVE DECLARED WAR. OFFICES HAVE BEEN RAIDED, MOM AND POP STORES HAVE BEEN CLOSED AND MANY HAVE BEEN ARRESTED. HIP-HOP ARTISTS, DJS, AND PRODUCERS HAVE DECIDED THAT THE ONLY WAY TO SURVIVE IN THE MUSIC BUSINESS IS TO "KILL THE RECORD LABELS".

In 2009, the Paranormal Searchers explored Stuart House in Venice, Louisiana. Three days into the investigation, police received a frantic phone call for help. They were never found. But their footage was.

Babe Ruth set a record in 1927 by hitting 60 home runs in one season. 34 years later, Roger Maris broke that record. Another 37 years passed before that record was broken by Mark McGwire. Five days after McGwire's feat, Sammy Sosa broke the brand new record. And the race was on! Fans watched breathlessly as the record passed between the two men and time left in the season dwindled. Relive it all, from Ruth, to Maris, to the final days of the 1998 Sosa/McGwire slug-fest.

This film captures a moment in time when vinyl recordings saw a resurgence that no one in the music industry could have predicted. Whether the popularity of vinyl will endure beyond various advances in the digital fidelity of sound recordings is anyone's guess. This film is a documentary in the sense that it documents this phenomenon through interviews with musicians and record shop owners. This film does not have a plot. It captures a moment in time when vinyl was king.

Sequel to "The Woodmen". Plot is kept under wraps.

What started as a singular conversation with Patrick O'Connell, Founder of Visual AIDS, about bringing the red ribbon to the world, grew into a symphony of New York City artist voices sharing their passion, compassion, pain, and strength in the face of AIDS. For the first time they collectively impart their journey into why we act and why we love. This is the story of how they responded.

For decades, an elite handful of climbers have competed for the coveted speed record on the 3,000-foot Nose of El Capitan, risking big falls to shave mere seconds off the fastest time. When a record held by superstar Alex Honnold is broken by little-known climbers Brad Gobright and Jim Reynolds, Honnold drafts fellow climbing legend Tommy Caldwell to establish a new mark that will stand the test of time. Honnold pushes for perfection while Caldwell, a family man, wrestles with the risk amid a series of accidents on the wall that lay bare the consequences of any mistake.

The small recording device named REC lives all alone in an abandoned attic when a bird appears at the window. REC is really excited and wants to talk to it. But when the bird hears REC’s “voice” it flies away in terror. Now REC tries everything to record the bird’s beautiful song. Time is running out, because its battery will soon be exhausted.

This short documentary (the second of two parts) follows Glenn Gould to New York City. There, we see the renowned Canadian concert pianist kidding the cab driver, bantering with sound engineers at Columbia Records, and then, alone with the piano, fastidiously recording Bach's Italian Concerto.

The dark recording of a heliography revolves around the annihilation of the essence of being human, as people are forced to compromise on an increasing number of issues. The main character returns to his hometown and comes up against the past. In the words of the director himself, the film includes "few images, that talk about the loneliness of a man who always stood apart."

An ethnographic film about the Shiraoi Ainu

Five stories of terrifying UFO experiences have been visualized, submitted by the viewers.

The Cutting Edge first aired in 1983 (a precursor to 120 minutes) on MTV providing viewers with a rare opportunity to intimately voyage the sounds, thoughts, work spaces and living quarters of the most interesting artists on the cutting edge of music. Host Peter Zaremba (of the fabulous Fleshtones) added levity with his wit and love of music and musicians. Artists features in this compilation include R.E.M., Squeeze, Red Hot Chili Peppers, Robyn Hitchcock, Tom Waits, The Blasters, Stan Ridgeway, Husker Du, X, The Alarm, The Fleshtones, Hoodoo Gurus, Jonathan Richman, The Smithereens, The DB's, Let's Active; also bonus appearances by Henry Rollins and Willie Dixon.