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Mendol is the story of three girls named Asahi, Nami, and Hinata, aspiring idols who have repeatedly failed in their auditions. One day, they witness a serious crime, and they are forced to flee from the culprits. Fortunately, they are saved by a producer who is willing to let them debut, but they have to hide their true identities and dress up as boys instead.
Meelo Evaru Koteeswarudu, (Telugu: మీలో ఎవరు కోటీశ్వరుడు) (English: Who among you is a Millionaire?), popularly known by its abbreviation MEK or simply Koteeswarudu, is an Indian regional television game show presented in Telugu produced by BIG Synergy which is the official adaptation of the internationally acclaimed Hindi game show Kaun Banega Crorepati which itself was an adaptation of the UK game show Who Wants to Be a Millionaire?
Author Nancy Crampton-Brophy often writes stories about female protagonists who fantasize about killing their own husbands. In a shocking and ironic turn of events, Brophy faces accusations of doing the same thing in real life.
Some members of the Al-Mawad family (of Palestinian origin) visit their relatives in the town of Kfarshuba in southern Lebanon, which is a few meters away from Palestine. This documentary portrays this journey with its narratives and family adventures.
Messenger of Allah, known in Japan as Allah no Shisha, is a Japanese tokusatsu superhero TV series produced by Toei Company starring a young Sonny Chiba, at the time known as Shin'ichi Chiba. It was created by writer Yasunori Kawauchi, who was also responsible for creating Moonlight Mask and Seven Color Mask. The series ran from July 7, 1960 to December 27, 1960 on NET (now TV Asahi) for a total of 26 episodes. The film for the first episode is all that is known to have survived.
Armed only with a bow and an ensemble of animal skins, Martin sets off into the forest in a misguided attempt to overcome his midlife crisis. A chance meeting with a fugitive named Musa leads to a twisted trip through the fjords with police, drug runners, and Martin's family not far behind. As an unlikely friendship develops and wildly original set-pieces unfold, Martin's quest for manhood leads to deep and hilariously uncomfortable realizations about the presumed masculine ideal.