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Not long before World War I, in a French Alpine town near the Italian border, a pack of slaughtered wolves is delivered to local taxidermist Leon (Patrick Chesnais). A surviving black cub comes down from the mountains looking for his family, and is saved from discovery and certain death by Leon’s young daughter Angele, who releases him back into the wild. The Great War comes and goes, making local foundry owners the Garcins rich. Family patriarch Albert Garcin (Michel Galabru), who happens to be Angele’s godfather, has given a free lifetime’s lease of a shack in the hills to a gypsy woman (played in flashbacks by Elisa Tovati in which she’s seen, literally, having dances with wolves on stage). Her son Guiseppe (Stefano Accorsi), who appears to be slightly mentally handicapped, guards the wolves he’s befriended up there, especially the black pack leader he calls Carbone.
In 1781, the revolutionary amaru-kataristas occupy the highlands of southern Peru. Sapa Inca, the last descendant of the Aymara Incas, and his wife Gregoria, decide to continue the indigenous insurrection against the Spanish oppressors. However, in a tumultuous time, obsession for the libertarian cause, love in times of chaos and betrayal among the brotherhood, will unleash a series of tragedies.
A street in Paris. A stranger thinks he is recognized in Joachim a soldier who died in Bosnia on August 21st, 1983, the very day Joachim was born.
Sofia, Bulgaria during World War II - Pesho, a poor boy from a working class family, falls in love with Violeta, a rich girl.
About three monks in a remote monastery; an aging master, a small orphan and a young man who left his city life to seek Enlightenment.
A young geometrician goes to Rome with his sister. During the trip, they meet Laura, an actress who offers them many surprises.
Ezequiel is serving a six-year prison sentence. So, what crime did this Cuban farmer commit? Answer: He sold his own cow. Filmmaker Salvador Gieling, a cousin by marriage, just can’t get his head around it. And if he can’t understand it, how can he explain it to his two-year-old son Luca? So Gieling and his family make the journey to the village of Sibanicú, where, camera on his shoulder, he tries to figure out what happened to Luca’s uncle.
A spectacle featuring the children of the puppet theater.
