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Chae-yeon, who works for an underwear company, secretly has a crush on Jeong-hoon, who is in the same office. Chaeyeon, lying in her bed, remembers her Jeonghoon and starts masturbating her... Oh no, as she reaches the climax, her mother enters Chaeyeon's room. But her mother acts as if she doesn't exist...'Am I an invisible person?' Chaeyeon, after feeling her climax at work every day, walks around her office naked with her transformed body, revealing her fantasies.
Sundori is a young woman from a poor family in a village governed by a ruthless zamindar.
On June 3, 1991, Marguerite Duras gave me her last published work, "The North China Lover", autographed for the first time. She wrote: "For my friend Dominique Auvray, in memory of a wonder of wonders: a still recent past, when we worked together in the cinema". This is a portrait of her as she was cheerful and serious, authentic and provocative, considerate and categorical, but first and foremost young and free.
Anirudh Godbole and Naina are a contemporary upwardly mobile middle-class Maharashtrian couple. They stay with their 2 daughters in a comfortable flat in suburban Mumbai. Anirudh has a well-paid job in a corporate firm and Naina is a rising singer. They invite few of their close friends over dinner to celebrate the release of Naina's music album. The evening begins on a very pleasant and relaxed note. Soon they witness the crime being committed in the neighbouring building and the evening turns into a moral hell for all.
Stories of the Trung sisters, military leaders and national heroines of Vietnam.
Natsuki NAKAGAWA depicts the destructive activities of suicidal high school student Sumiko, who is blackmailing her classmate Hideaki out of revenge. The film unfolds a psychological analysis of a social environment characterized by hypocrisy.
Portraits the crude reality a young and troubled teenage mother faces, while searching for her identity. It is the story of a young woman facing the challenge of raising a little girl on her own, while trying to reinvent herself each day in a relentless social environment towards the least mistake.
He is a student, who believes in a true love. He writes short stories. One day he accidentally meets her. She is beautiful, but unpredictable. Not the type he has always dreamed of. She forces into his life, changing everything he was used to, and brings new adventures, which are sometimes painful for him. After sometime, he fells in love with her, but... one day, she disappears from his life, changing his life forever...
At the one side of the inner yard lives a mother, who is left alone by her husband, with a little boy and his sister. At the other side lives a wife with her husband, a geologist in pension, who has suffered a heavy stroke and now lives at the edge between life and death. These two women are trying to find ways to deal with their loneliness. The mother is desperately trying to find a man, and she becomes addicted of latinoamerican sope operas. On the other hand, the wife is trying to die along with her husband, and she's trying to kill every bit of sensuality left in her.
Jigar, an independent, carefree, insurance agent falls in love with Shruti. Soon he realizes that love is not eternal but it comes with an expiry date.
The tale of the Snow Maiden is well-known, as are its numerous traditional arrangements. However, this version is somewhat different, as is the play by A.N. Ostrovsky, which served as the basis for the film.
(S)HE is the story of a transgender child named Juju, a girl born into a boy’s body. With the onset of puberty, JuJu’s discomfort explodes. Our film follows a child’s struggle to get her parents and friends to accept her true gender, as she transitions from boy to girl. But in this tiny rural town, where everyone knows everyone else, it’s an impossible challenge. Juju will have to move in with her mother while her parents break up. Juju becomes Emma, and sings in a rock band at her new high school. With everyone seeing her as a girl, she’ starts to blossom. But as her popularity grows, social networking sit’s rekindle the nightmare she thought she’d left behind...
Fyrtårnet and Bivognen are gardeners at a residence for young women. Here they are friends with budding actress Eva, but when the three reveal one evening during the performance of an illegal theater performance, they are kicked out. By detours, they get on board a schooner, where Fy and Bi play up to dance and get seasick, while Eva still has her course set against the sloping boards.
A lawyer falls in love with a woman her meets in Faiyum, but she lies to him to test his love.
Three people wake up together in an apartment in São Paulo. A photo shoot. An accepted proposal. A place in ruins. He, She and Ana.
Caught in the tensions of the returning Pierrot, an ex-con, and the neighboring outlaws, Coralie attempts to distance herself from an ambiguous if not tormented past. Set against a busy highway, the butting houses dominated by a boss loosing sight of his operation are suspended as an anarchic surge approaches.
We are constantly trying to please everyone, to be the best version of ourselves for others, but in the end, we are still just ourselves. A metaphorical record of how the environment influences us and we gradually become its projection. An object for everyone and for no one.
Gita is a final year student at a film university, majoring in directing. She and his group of friends had been shooting a short film for the Final Project, but—for some reason during the production process—the result of the film turned out to be poor. Gita was blamed by his group of friends. Then all of Gita's friends decided to resign from the Final Assignment trial because they felt too embarrassed if their bad film was shown to the public in the courtroom later. But Gita still wants to continue to the trial stage, because she has to pass this semester, so she is intimidated in such a way by her friends.
A bachelor party comes to a screeching halt when a Chinese water ghost shows up for the festivities-- and may or may not be the stripper.