Film She Will Regarder

The day in the life of a young couple from Rio de Janeiro when she tells him she will move to Paris in six months.

Da-hee and Min-soo, who seem to be a good couple, eat together and take a walk. They are always seen holding hands and taking a walk, so people envies them on the street. In fact, Da-hee had a husband. A mysterious man who comes after her husband goes to work... Da-hee's love story, who walks a dizzying tight rope between two men, is just unfolding.

How do we speak about the horror with which we are faced but cannot come to terms with? The classmates have gathered for their fifteenth high-school reunion, reminiscing about their adolescent adventures. As the evening progresses, different dinner courses and drinks are brought out and the conversations become more open, yet there is one topic that everyone avoids, until alcohol encourages them to mention the shocking letter they have all received. The letter is a torturous confession from one of their former classmates, in which she reveals the brutal abuse she endured as a child and during high school.

Roberta and Alessandro fell in love when they met in Corsica eight years ago. Since his adolescence Alessandro, a successful Venetian lawyer, had been tormented by a secret he has never revealed to anyone: the desire to become a woman. A desire that later grew to be a necessity for him. After they got married in December 2012, Alessandro decided to fly to San Francisco to undergo sex reassignment surgery. A difficult, long thought over decision which brought many consequences but, thanks to unconditional support from Roberta, these never undermined their love. An extremely important step, leaving behind the past in which Alessandro used to hide his true inclinations, and towards a new and bright future. This story about three crucial years in their relationship is told by directors Annamaria Gallone and Gloria Aura Bartolini through interviews, confessions and film footage.

A young woman is attacked by a serial rapist and murderer whom her detective father is investigating. Though she survives, the impact of the event creates increasing discord and agony for her and her loved ones.

Ava and her girlfriend Sascha are fighting for a tolerant world. When Ava's father comes to stay with them, their own tolerance is tested.

During the ten years of Chaos, the young lady from businessman Zhang's family takes care of the whole family and keeps everyone together.

Every encounter with an image, every interaction searches for its own form. She is the other gaze is a collaboration with five female visual artists of an older generation who have been part of the Viennese art scene since the 1970s and engaged in the women's movement. In dialogue with the filmmaker Renate Bertlmann, Linda Christanell, Lore Heuermann, Karin Mack and Margot Pilz share their early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers, the protagonists are a great influence on the contemporary art scene and the self-understanding of younger artists today. With their voices and narratives, they become collaborators passing on feminist thinking and artistic experiences.

This is a story about love and courage. Every day after school, Ronan, a junior in class 3, goes to the grocery store to pick up a newspaper with a blue sticky note. As her mother’s life enters a countdown, Ronan can no longer turn a blind eye to her parents’ marriage rift. In her own way, she encourages and convinces her mother to escape for a better life.

Freddy, a 48-year-old bachelor with no children, who continues to live as if he were a teenager, meets Aylín, a 30-year-old girl who arrives in Lima, and is surprised that she could be his daughter.

Also known as Santo vs. the She-Wolves

A man returns home after a long journey. The curtains in the open windows flutter in the breeze. His wife sleeps. And he recognises nothing of what was once so familiar. Stretching the boundaries of poetry, science-fiction and documentary film, and with Chris Marker and Andrei Tarkovsky firmed lodged in his mind, he wanders through the remains of an Aral Sea in the throes of draught, metaphor for a landscape, a world and a country which no longer exist.

This a farse based on a true story. Love, jealousy, hatred and reconciliation. I remember once reading about a couple with a conflict of this type in which the tension of their relationship degenerated into violence and afterwards in an apparently harmonious ending. This is a more elaborate extension of I dreamt I was human.

Count Dörner and his son-in-law Baron Max are hunting in the forest when they come upon Zambo and Satanita, who are Roma travellers. Dörner and Max are so captivated by the eccentric Satanita that they decide to take her to their estate. It quickly becomes clear that Satanita prefers the young baron to the old count, although the latter still makes a spirited attempt to force some affection from her. Satanita and Max elope and get married, but Max soon realises that his wife is not what he dreamed of. Stumfilm.dk

Lyane is a singer and daughter of the producer of the operetta: "C'est une fille de Paris". She convinces the composer of the music, Jacques Kellermann, whom she loves, to sign her piece. The famous composer Jean Paget, who cannot put the work to his advantage, declares to Jacques that Lyane had a child by him. Shocked, Jacques breaks with the singer who soon knows the celebrity. Finally, he realizes that happiness is ready to be seized, because the beauty still loves him...

Aiko saw her parents murdered by the Yakuza when she was young. She grows up to become a killer to avenge her parents. her quest becomes more complicated when she learns her target is also and orphan and also has a blind daughter.

I think she’s a Musungu is a documentary about 8 years old Erna Kanema. She lives in Reykjavik with her Icelandic mother, Zambian father and little sister. She takes her Icelandic grandmother and uncle’s family on an adventurous trip to Zambia to meet her relatives there. Erna Kanema reflects on her identity as a white, black or brown girl.