Film She Said Vostfr

New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation — a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood.

He Said, She Said is an American game show hosted by Joe Garagiola, with Bill Cullen occasionally filling in when Garagiola was covering baseball games. The show, which asked couples questions about their personal lives, aired in syndication during the 1969-1970 season, and was taped at NBC Studios in New York City. The show was produced by Goodson-Todman Productions for sponsor Holiday Inn. Johnny Olson and Bill Wendell announced. The show had two formats during its run; one in which four celebrity couples competed, and one which had a single celebrity couple and three civilian couples. The format was modified and brought back on CBS in 1974 as Tattletales, with Bert Convy as host.

Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.

Womanising, right-wing Dan Hanson and quiet, liberal Lorie Bryer work for the Baltimore Sun. Rivals for the job of new writer of a vacant column, the paper ends up instead printing their very different opinions alongside each other, which leads to a similarly combative local TV show. At the same time their initial indifference to each other looks like it may evolve into something more romantic.

Rosa (Duda Matte) is dedicated to study, Leo (Marcus Bessa) is a good soccer player. She is always on time, he is always late. She hates Julia (Maisa), the most popular girl in high school, he kind of likes her. They are both new students at school and, besides having to learn how to deal with new friends and family problems, they find out that they have much more in common than they thought. Based on the successful book by Thalita Rebouças, they will find that growing up may seem complicated but deep down it's a great adventure.

In a secluded hotel circumscribed by a dense forest Max and Alissa Thor meet Stein and Elisabeth. Max, a professor of future history and an aspiring author, is immediately attracted to the brooding wife of industrialist Bernard Alione, Elisabeth, who is recovering from a miscarriage. Stein, a German Jew and potential writer, is infatuated by Alissa, Max's young wife and former student. During their sojourn the guests' identities gradually meld.

A young boy going through his first year of high school runs into the most amazing girl he's ever seen in P.E class.

Longtime best friends Bebe and DeeDee are both wrestling with love. Bebe has met someone new and is in the exuberant phase of a budding romance. DeeDee is trying to move on from someone she can’t forget – mostly in destructive ways. As Bebe waits for the perpetually late DeeDee at their favorite coffee shop, she meets Clementine, a distraught young woman with love problems of her own. With Clementine in tow, Bebe and DeeDee soon embark on the kind of outrageous misadventure that only New York City can offer.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

A woman travels, blindfolded, from an ancient countryside temple to a bustling city. Her surroundings change, but her sense of unease lingers. The director uses a distinctively female perspective to combine the past and present. Made in December 1989, the film expresses a sense of anxiety permeating Hong Kong during that time.

A lesbian couple on the brink of divorce divide their possessions in mediation and through each object, we get a glimpse of their relationship and the sometimes humorous and sexy power that objects can hold on our lives and emotions.

Three former high school best friends gather for a steamboat dinner just to catch up. As the dinner went on into the night with beers and wine thrown in things get complicated as one of them has a hidden secret that no one wants to know in their present situation.

The Eleventh Doctor and Clara Oswald muse over each others' mysteries and reflect on how little they really know about one another.

He Said, She Said is a Canadian cooking television show featuring popular Canadian personalities Ken Kostick and Mary Jo Eustace. The show debuted on July 2, 2008 on W Network and currently airs Monday to Friday at 3:30AM, 11:30AM and 1:30PM ET on VIVA. It is produced by Up Front Entertainment and filmed in Toronto, Ontario.

Five years in, bank colleagues Nadine Ship and Jonathan Evans hit a road block in their personal relationship. Nadine wants their relationship to move to the next level, whereas Jonathan is happy keeping things the way they are. Nadine feels re-energized when a new bank customer starts flirting with her. But things take a more significant turn in Nadine and Jonathan's life when a masked robber comes into the bank and following the heist, takes Nadine hostage. As her assailant takes Nadine along on his personal mission, Jonathan follows a hunch of his own on the identity of the robber in an effort to try and win back Nadine, who was slowly drifting away from him.

Sam decides to stop pursuing charges against her rapist and spend Thanksgiving alone on her family's Virginia farm. Her brother stages an intervention with seven of Sam’s friends to persuade her to return.

Having just moved to Amsterdam, Lou prepares her new apartment that she will share with her partner, Joel. For now though, Joel is on a trip with an intimate other. Confronted with the complexities of her non-monogamous relationship, Lou shifts her gaze to the rhythms of her new city.

She Said explores the theme of women and work, using the formal properties of film to reflect on the overlap between work and free time. The film begins with a series of old and contemporary photographs, cut to a rhythm, which echoes that of monotony. A fragmented dialogue creates a feeling of alienation and lack of control (often identified with the labour process), interrupting further sequences of live action and images. “Feeling strongly that women's work is continuous, I realised that the film work could only be seen after work or in moments of non-work which I hesitate to call leisure. With this in mind I tried to bring this contradiction to the surface within the film itself”' (Susan Stein)

A narrative dance film that explores the fluidity of identity and self expression through fashion.