Film San

Daniel needs some money to buy a duffle coat that is in fashion, so he agrees to work for a photographer by dressing up as Santa Claus. He discovers that it is much easier to meet girls when he is in his costume.

Dollmaker Haruhiko Kasukabe, nicknamed Haru-san, lost his wife Ruriko in an airplane crash 22 years ago and has been living with his only daughter Furi since then. It is the day of Furi's wedding. However, Furi only told Haruhiko about the wedding a month before. Since the bridegroom had some trouble at his overseas job, he was only able to return to Japan the day of the wedding, so Haruhiko has not met him even once. What kind of man did Furi choose to marry, and why did she hide such an important thing for so long...!? Haruhiko, worrying over all this, shuts himself in his room and decides not to go to the wedding... then, something completely unexpected happens to him. His late wife Ruriko appears before him. The truth is, she has appeared at Haruhiko's side many times before. What could be Ruriko's goal...

For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.

Engineer Jake Holman arrives aboard the gunboat USS San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the 'rice-bowl' system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission.

Stories that portray cases of witchcraft, moorings, spiritual manifestations, exorcisms, ghosts, haunted houses and other situations that changed the lives of the protagonists. Stories that can happen to anyone.