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When the look of love changes into something else, appearances can be deceptive.
It takes two so that a voyage is more than just transportation. It takes two so that photography becomes cinema. It takes two wings to fly. But if the camera frowns, what remains of the fever of exoticism ? Dominique Pasqualini
In a district of Niamey, in Niger, craftsmen and consumers save all that is possible and "make new with the old."
Two girls go to Berlin, one to find a German girl who lived at home in the 50s when her parents divorced, the other to look for a role in German cinema.
He is a magician. She is a firefighter. Isolating themselves from the chaos of a world in turmoil, the two lovers live in a crane basket high in the sky, where they go about their daily business. Their challenge is to keep their heads, here up above it all, while everything is falling apart down below. But when reality calls – when fires need quenching and people need entertaining – how can they best make themselves useful in a world gone off the rails?
"Cinema is the first moment in which the world sees itself then we know it is fake, which is a trick [...]. It is a small system, mechanical, banal, simple, corruptible, but it is sufficient to produce a review of the world, we are never interested in doing without living, without loving, we are never interested in making this film for other reasons »
For years Néhémie has been subjected to racism. As a young adult, she decides to talk to her white parents and adoptive brothers and sister. Her mum waters down her reaction but her dad accepts to talk about his past. Every one will react to her truth.
Cruel portrait of a character victimized both at home and at his office.
