Film Revolution Of Our Times En Franc

Immortal Technique emerged from prison a changed man. As his inner journey continues he travels the world promoting a revolution of consciousness through hip-hop. His path from a troubled youth to a fearless revolutionary is an inspirational must-see.

Red Guards were a student movement supported by Mao Zedong in 1966-67 during the Cultural Revolution. A group of students at Qinghua University who issued 2 big-character posters in May-June 1966 called themselves Red Guards. The students criticised the university administration of elitism and bourgeois tendencies. In August 1966 Mao Zedong expressed support for the Red Guards. This gave the student movement political legitimacy and it spread outside Beijing. The Red Guards started to attack the Four Olds and marched across China to eradicate old ideas, old cultures, old customs and old habits. Ultimately the struggle between different Red Guard factions led to a chaotic civil-war-like situation. During 1967-68 the Peoples Liberation Army got the movement under control and restored social order. Beginning late 1968 members of the Red Guard movement were sent to the countryside to undergo re-education. We met and filmed them in August 1971.

This is the story of the ’68 generation in Iceland. Icelanders who participated in the turmoil that characterized this period tell of their experiences, their backgrounds, and explain why thousands of young people fought for their values in defiance of the prevailing attitudes of previous generations.

This time we hacked Ema Futaba. A lovely baby face with a charming hip and E-cup bust! !! The short, brightly colored hair matches Emma's refreshing and cheerful character! At first, Emma was nervous and ticky, but her natural brightness made it easy for her to get along with the staff. From the middle of the shooting, it looks like a fish that got water and shows a glimpse of a large scale! !!

Tsumugi Akari appears in the "Hacks Bishoujo" series, which releases the eggs of gravure idols into the world. Tsumugi-chan is beautiful like a doll with clear white skin and a neat small face. No matter where you look, don't miss her charming brilliance!

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

In order for the revolution to live up to its promise, might love be the missing ingredient? Artist Dora García delves into the archives and finds in the searing writings of Alexandra Kollontaï, an early-20th-century revolutionary, a precious ally of queer and feminist movements in Latin America and elsewhere. A joyfully militant political film."

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

A film by Jerome Laperrousaz, showing the festival at Amougies, October 1969.

Jia Zhitan investigates the One Strike-Three Anti campaign in his village.

A documentary about Romania after the 1989 Revolution.

Documentary about the participation of women in the Nicaraguan Revolution.

What motivations led Francisco I. Madero to believe in democracy, in the effectiveness of suffrage, in free citizens committed to their destiny? That short man with a kind smile and luminous gaze awakened the conscience of society in 1910 through his spiritual convictions. From that trench, Madero prepared to include the democratic crusade of 1909 that gave rise to the greatest social transformation of the 20th century: the Mexican Revolution, the revolution of the spirits.

The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

Far from intensive farming and industrial output, a revolution is already under way; good red meat has become a rare, indeed, luxury product. But where is the world's best steak found? Franck Ribière and his favorite butcher, Yves-Marie Le Bourdonnec, generous, charming, and ecological, set out to meet the new players in the field to try to understand what makes a cut of meat good.

Province of Quebec, Canada, the Maple Spring, 2012. Driven by frustration and the desire to find a new life, Klas Batalo, Ordine Nuovo, Tumulto and Giutizia form a counter-cultural group, a radical cell guided by a deep hostility to the established order that they manifest through terribly ambiguous political expressions, Molotov cocktails and guerrilla tactics, seeking to sow mayhem in Montreal as a prelude to the overthrow of the government.

Brecht′s 100th birthday is being celebrated on 10 February, 1998. A good enough opportunity to examine his life closely again. The film director Jutta Brueckner is mainly concerned here with the question of the kind of person Brecht was. We have known him until now as the brilliant author and theatre director, through his plays themselves; we also know him as the cultural flagship of the GDR along with his world-famous Berliner Ensemble.

In 1906, Georges Braque and Pablo Picasso were 24 and 25 years old. The Butte Montmartre is their Parisian sanctuary where artists in need of recognition meet. Braque and Picasso become friends to the point of never leaving each other. For the moment, their paintings do not interest many people; only Apollinaire, then aged 26, and the young gallery owner Daniel-Henry Kahnweiler, 22, saw immense potential in them. And in addition to their passion for painting, these four inseparable boys share the same appetite for modernity. Collages, diversions of materials and geometrization of forms: cubism opened the way to abstraction. A revolution initiated by Picasso and Braque, which profoundly changed the course of the history of modern art.