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Humans are analogue. We're literally sick of the digital world engulfing us. People are yearning for real things and authenticity. IMPOSSIBLE is sensuous and inspiring film about the revenge of analog. And the eccentric, crazy Austrian scientist, who saved the world's last Polaroid factory - just when Steve Jobs introduced the first iPhone. An entertaining underdog story of a very modern Don Quixote, shot on 35mm. And a sumptuous invitation to fall in love with real things again.
Mr. Prokouk finds a horseshoe and thinks it's a good luck charm. So, he decides to take it with him home and find a suitable place for it. He soon discovers that the horseshoe brings him nothing but bad luck.
Hello! Project concert held in Nakano Sun Plaza.
Alejandro is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.
An old man named Zivojin Markovic, living in a remote village prays for his grandson Cane to go to the city, sell his cow and bring back a wife. In the city he is supposed to meet up with his grandfather's stepbrother, but this man is dead. Instead, he meets this man's two grandsons, two good-natured brothers who are nevertheless small-time criminals and experts in demolition. Cane soon clicks with these men, and also falls in love with a schoolgirl (Jasna), who he wants to marry as part of his testament with his grandfather. He gets involved in this girl's family affairs, rescuing both her and her mother from prostitution and gangsters headed by a man called Bajo, and the new group of people return to the small village in time to celebrate Zivojin's wedding to his neighbor, despite the gangsters' best efforts to stop the celebration, which results in a double wedding.
A drama about several teenage girls from different backgrounds who are drawn to prostitution and enter a world of violence and abuse that is almost impossible to leave behind.
The true story of a rather unusual gymnasium class on the end of the 19th century and their professor. Full of intellectuals and young scientists, writers and artists, this class was highly with potential and many of them became famous in Serbian history.
In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.
