Film Pro

Based on the play by José Ignacio Cabrujas, it is a comedy with deep popular roots and, essentially, Latin American.

What happens when two friends meet.

A documentary about former hustler and sex worker Rich Holcomb and his experience and escape from the streets of Providence R.I.

Ewa Partum’s work entitled Change. My problem is a problem of a woman (1979) is the culmination and the turning point of a process which began with Change in 1974. The latter was an action in which the artist had half of her face aged using make-up and immortalized in a portrait posted in the streets of Warsaw. Up to that point, Partum had used make-up to glamorize herself, signing various words with her lips outlined in red and pressed against paper as she spoke 1. But in Change. My problem is a problem of a woman, Partum had wrinkles, varicose veins, and grey hair applied over half of her body while, reclining on a white podium, she recited passages from the critic Lucy Lippard and the artist VALIE EXPORT.

French soldiers injured in WWI are re-educated to learn new trades.

Small and Tall break a mirror on a train trip and their seven years of bad luck start immediately. Stranded by an accident, they have trouble in a ghost town and finally are lost in the desert. The mirror saves them when they piece it back together, and everything is okay until they break the mirror again and their troubles start anew.

Funeral praise to my father Emilio Teobaldelli.

Cameraman Yonesaku Kobayashi (1905-2005) is a pioneer of scientific films of Japan. He and producer Sozo Okada made many scientific educational films, and in 60's - 70's, many avant-garde composers composed music for these films.

This is a film about encounters / A film about details from these encounters / About those stories that are gone / Those stories that did not happen / This is a film about desire.

Working "in film," interweaving projected parts of the film, the filmmaker approaches a memory and repeatedly indicates how the seeing and the seen are cyclically superimposed in the image. A fast drive, a road cuts through the man's silhouette. The gaze advances through a young forest, following a woman from above who soon reveals her calm, bright face from up close, alternating with that of the man. We advance slowly down a hallway, the woman's face in double exposure. Viewed in close-up, a row of lamps creates sections and perspectives. Hovering lights appear in succession. Steps and a pumping pulsation lead to a car ride, while the white section of the sky bleaches the woman's image.

This piece was originally planned by the artist as a reading for the Viewpoint series at New York’s Museum of Modern Art. “It was an attempt to circumscribe my work in the structure of a reading,” Hill explains. Processual Video is minimal with regards to an “image” but quite complex in terms of the interplay of language and image. In fact, the image as such functions more as a tracking device. On a black screen, a white line slowly rotates on its own axis, seemingly generating a spoken text that refers to itself. Depending on its position, the line gets narrower, then wider, finally dissipating horizontally into thin white strokes. While this is happening, Hill reads a text that triggers associations and wordplays with the precise position and detail of the continuously changing line.

A Russian drone operator uses a nuclear powered drone to lure alien object to the orbit, immobilizes them and captute them. But when that object came close to earth, the drome operator loses contact with the commanding officer and have to decide whats real and whats not.

Playful ramblers carrying Sunlight placards in a cow pasture in the Jura (Canton of Vaud). The respectable gentleman is none other than William Whiteley (1831-1907), founder of London’s first department store. Is this a home movie or advertising for the launch of the Sunlight Helvetia soap factory (Olten, 12 October 1898)? Maybe both.

Diego is a fan of Santiago Wanderers who has made a fundamental refuge for his life out of the club he loves. Through the popular soccer lessons he learned from his father along with his memories, loves, and conflicts, Diego reflects on how this sport has been contaminated by disrespect, machismo, and lies, but he can't find a way to do something about it until a particular situation drives him crazy.

Five guys in a van are on their way to a perfectly planned heist job.

Ariel, an insecure writer tortured by her own desires, can’t seem to stop seeing “The Poet,” an older, volatile cinematographer who pursues his ‘art’ while taking full advantage of his rich girlfriend’s beautiful New York apartment. Ariel also can’t stop herself from loving her own professor, a depressed, married, struggling adjunct obsessed with postmodernism and addicted to pills.

A meditative film on a composite A+B image. Image B will be in turn an extract from a film by Vittorio de Sica (DUE DONNE), the sun in the trees, the sea, a cliff, the Traveller Contemplating a Sea of Clouds (Friedrich) or his heirs. When image A is alone on the screen, it is a green theatre. When image B appears inside image A, the gaze is immediately drawn to this smaller image, the cinema image.