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Moved by his love for his girlfriend Senka, Senad leaves his job at the hospital and comes to the besieged city. Avoiding the armed groups roaming the city, he finally finds Senka at her brother Zan's home. Zan happens to be Senad's best friend and is working in the theater as a clown in the production, "Flying Tours of Duty." His girlfriend Senka is working in a hospital but has no time for love. Dejected Senad returns to his flat, only to find it has been demolished by the war. Zan invites Senad to live together with him, his wife and Senka. The rest of the film recounts the tragic events that befall the group and how they face up to them.
Arthouse drama collage on people who have plenty of time.
On Channel 4's 2021 Alternative Christmas Message, Tom Daley wished for 'a brave footballer to step forward and say, I'm gay'. A year later, Tom chats to Jake Daniels - who did just that.
Exterior of a house covered with snow. Jerry suddenly comes flying through the door and somebody shouts (in a speech bubble) "This is a workhouse, not a dog's home!" Jerry shouts back "You can keep your 'Xmas pudding!!" He walks around the corner to the back of a house and says: "I wonder if they'll take pity on me here!"
The second King of Pro-Wrestling was held on October 14, 2013, in Tokyo at Ryōgoku Kokugikan. The event featured nine matches, four of which were contested for championships.
Kinemacolor
From With Our King and Queen Through India
A short documentary of Professor Georg Brandes.
King Christian X's proclamation.
L'Opéra National de Paris' production of L'Amour des Trois Oranges must certainly be one of the most elaborate operatic presentations. It has a cast of gazillions, characters who fly, jugglers, fire-eaters, remarkably elaborate costumes, amazingly realistic props (those five-foot oranges are convincingly juicy and edible looking), a huge set, fireworks, and so on. In fact, at times, it looks more like a Cirque de Soleil show than something you'd see in an opera house. Director Gilbert Deflo's conception and William Orlandi's costumes and sets are rooted in commedia dell'arte, but the production is thoroughly eclectic, with allusions to a wonderfully weird assortment of styles and periods.
Jacques Perconte takes us on the heels of a silhouette that will gradually take on the final shape of a young woman. Divided into three scenes of different durations and speeds, “promenade” immerses us from the start in a nocturnal atmosphere, dense than in universes alternately, confined, feverish, and finally contemplative; each is bathed in light and its own atmosphere. Only nuance, intermediate shots, on a dark sky where a moon is gradually extracted from the clouds which mask it. The whole punctuates with repetitive rhythms. Coming to the light, coming to the day, one thinks of course of the birth and the passage of life. The impression is only confirmed by a soothing finale facing the ocean.
Otto works as a conveyor for a food store in Budapest. When his van breaks down during a countryside delivery, he finds himself on an archaeological excavation site. Otto spends one day on the excavation.
