Film On A Grandi Ensemble En Francais

In Guangdong, the forefront of China's reform and opening-up, the business of a sauna is fairly flat. The boss, Wu, together with his team, pursuits his dream and constructs a entertainment kingdom persistently with their wisdom, effort and positive spirit. Eventually, after a special fashion show, Wu tears for his uneasy success. During the period, some of his employees leave hopelessly, some are imprisoned, some are still longing for a better tomorrow by his side

A couple murdered inside their own home by robbers return as vengeful spirits.

Dramatization of the life of blind musician ABing (Huà Yànjūn).

An animated archive of imaginary monsters written by a fictitious mosterologist in Medieval Europe.

Essay on love is, above all, an experimental film. A hybrid of fiction and documentary, it brings reality and fantasy to discuss that which is the most important thing for some, and the least important thing for others: Love. Love is actually in every place and human activity we look at: art, business, advertising, sports, entertaining, religion, education, politics, etc. What is this thing that is so present in our lives? Why we are so desperate in having, possessing, idealizing or despising love? Everyone talks about it. Creates songs about it. Declares themselves to be loving human beings... What do they mean with all of this? "Essay on love" gives you a glimpse on this subject. On how people relates themselves to the concept of love, and as a film, is an attempt to approach this wonderful thing that love is, through cinema.

A man walks into a foreign neighborhood to look for a house. Then, the drastic summarization of the story and time will confuse the audience at first, but it brings suspense and a deeply lingering impression to the story. There is more that is unseen than visible. This intentional void prompts various emotional interpretations. During that time, what sort of moments and stories did the man and the house share? Since the guessing is left to the audience, we are left to remember, not the man’s, but our own personal memories. Hanyang villa or whatever else, that’s what houses do – they are where our memories dwell.

In the north in the 1990s, the passengers on the train were suddenly robbed by armed bandits. Railway criminal police Tie Wei and others fought life and death with the car bandits. This gang of car bandits is known as the Flying Tiger Gang. The members all have legitimate jobs as a cover, and they also have eyes and ears in the railway department. This has brought difficulties to the detection work of the public security department.

Our village has always been a place of exile, a land of prisoners. Once in the winter, on the edge of the village we found an old man in an old car. He was freezing. He had nothing and was from nowhere. Now he lives in the cellar of our church. Step by step we get to know his story.

Lea, an old lady living alone, loses herself and the world around her when she gets the feeling that someone is watching her. Her son Tarmo bringing groceries is but a short relief. Once he suggests to ignore her fears and leave, the situation only gets worse.

“Please hold on...” How many of us have waited in vain for a response from the other side? Dawn’s day begins when the sun sets, driving her customers to their destinations, including the softspoken Sunny. Something not to be spoken of weighs heavy between them, and the nightly trip always ends with them going their separate ways home. As Dawn navigates difficultly through her troubled past, she continues to dial the same number that always fails to connect. One night, her call is finally answered. Be it chance or miracle, will Dawn be able to let go of her past?

In her first cinematographic film, artist Eleni Kamma revisits the tradition of the Karagöz Theatre and its role in the creation of a political voice.

The camera wanders through streets standing witness to a war that has destroyed a city and an entire nation. Bagdadi goes to war against the Lebanese civil war, exploring different locations and situations in a country faced with its own demise. The poetic text raises questions of life and death through contrasting images of violent death and the will to live.

A feel-good comedy about aging, friendship and new directions, On Borrowed Time is director Yasir Al Yasir’s follow-up to his 2012 film Murk Light, which earned him the Best Short Narrative Award at the Abu Dhabi Film Festival. Taking place in and around a Dubai retirement home, the film follows four elderly men who appear to be settling in for the long haul—that is, until one of them receives an unexpected and mammoth inheritance.

A poor composer who should buy a property for his ambitious father-in-law finances with the money, nevertheless, an opera. Together with his friend who must play a husband to his strict rich aunt, he makes to himself a fun from the mistakes which cause her feints.

As Alex is about to get married, his father Charles sets off for a secret mission in Germany. Hilarity ensues when their personal contacts start to interfere with one another.

In Corsica, during a summer stay, thirty-year-old Alice feels her connection to the territory and to the people who come from it. The two men she desires are the strong embodiments of her relationship to her land, the island of her childhood. But her physical and amorous relationships upset normality.

Fang Li (Lou Yunfei ornaments) and its father Fang Ziliang (Wanzi good ornaments) because coveted Bi Ge (Wenxi decorated) ancestral home, and its proposed a love bet