Film Noon Vk

Morning, Noon & Night explores a day-in-the-life of six people battling different addictions.Thecharactersfeelalltoo familiar asthey could be your neighbor, your family or even yourself. Thefilmfunctionsas a mirror asit examines some students,a history teacher, a lawyer, and a topexecutiveasthey struggle to make it through a single day.

Rez lost his wife sometime in the past, now he is a man abandoned by society, trying to survive, and provide for his daughter. He possesses a gift: the perfect photographic memory, but having perfect recall isn't all it's cracked up to be. He finds himself involved with dangerous people from his past who persuade him into testing their stolen time machine "Titus" that has the ability to send someone hours into the future. When he leaps forward in time and witnesses a nuclear explosion, he returns to his own time and has only eight hours to discover the cause and save the city from destruction.

a film by robert todd

The scene a windless living room for 4 minutes. The light and the shadow are flickering like breathing, while the floor is just as it is.

NOON is a scene from a completed feature screenplay. The short sets up the world’s unique premise and introduces our protagonist, Gray, a coyote numbed to the cruelty of the world and his part in it. We watch Gray struggle to salvage what humanity still exists within him when profit is pitted against morality.

Scientists poison the water supply of a small town, turning the residents into homicidal maniacs who kill each other and anybody who passes through.

After returning home to a rugged island near Nova Scotia, Joanna, daughter of the local bigwig, struggles to choose between three eligible bachelors -- the rebel, the steadfast friend and the poetry-quoting newcomer. As the local lobster supply dwindles due to overfishing, the island's inhabitants encounter economic difficulties.

Lāhainā Noon interweaves three separate short stories that occur during the yearly tropical solar phenomenon in which the sun passes directly overhead at noon so that upright objects do not cast a shadow.

Four episodes combined. Dawn: the first cop goes to interrogate the parents of a babygirl who got burnt by an iron. These, eventually admit to be the one responsible but they state it was an accident. Going back on a bus, he reads a newspaper article reporting another case of violence against minors. Noon: the moustached cop cop collects the report of a mother regarding the presence of perverts in her building. A thirteen-year-old girl is spotted with a man in equivocal acts: when she is interrogated she shows no signs of anxiety. Dusk: in a nursing home a guest kills another old man with an axe. He is interrogated by the older cop who, once back home, talks with his wife and daughter while watching sadly TV. Night: the fourth cop is in a disco when he gets the call that a collegue’s wife was the victim of a hit and run. The following morning he goes back to the office.

With the powers of hell at his disposal, Frank, a blood-thirsty outlaw from the old west, is resurrected to seek his revenge on the present day town of Weston.

Narcolepsy, siblings, nudity, and senility combine for the best kind of road trip. Or do they?

High Noon Toons was a 3-hour programming block of cartoons hosted by two cowboy hand puppets named Haas and Lil' Jo shown on Cartoon Network in the mid-1990s. The series was made by Matt Thompson and Adam Reed, who would later go on to create adult-themed cartoon series such as Sealab 2021 and Frisky Dingo for Adult Swim and Archer for FX. Often the show would have special themes, such as "Quick Draw McGraw: Pure Mustang". Haas and Lil' Jo also hosted Cartoon Network's "Spring Break '95", where the two would be on a beach setting with bikini-clad Barbie dolls, and would show Spring Break-related cartoons. They also hosted the Thanksgiving Cartoon Parade in 1995.

Writer Alan Bennett visits a hotel in the north of England, observes the guests, and reminisces about his experiences of staying in boarding-houses as a child.

Cowboys trade lewd stories in the spirit of one-upmanship. Beer guzzling, bestiality and hellfire: it must be a Phil Mulloy cartoon.

An unfinished short student film about dreaming

Everyday in Halifax, a ceremonial blast fires from a canon. The Noon Gun sends a rattle through the old wooden homes of the North End. Within one of these homes, an elderly woman dotes over her graffiti writer grandson. An interracial couple walk tensely down a side street. A recovering alcoholic cop lectures his street-wizened young partner as they walk the beat. On one day in particular, the Noon Gun blast ties these groups into a sequence of events. As these events unfold, each group’s perspective grows, obscuring reality and ultimately effecting each other’s lives.

High Noon is the meeting between the Southern Californian landscape with that of the South-Eastern landscape of Onomichi Japan as an experience of the gravitational pull towards the center of the earth, with the knowledge that we are sometimes standing on the world upside down. We briefly glimpse each landscape as a dizzying series of loops that seem to repeat themselves endlessly.