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In Brenda Dickson's self-produced video infomercial, the soap star strikes various poses in various baroque evening gowns whilst standing in various corners of her opulent mansion. Then, “through the magic of Hollywood,” Dickson invites the viewer to “teleport into my closets” for lessons on “style, which is as important in your life as your look.”
Iida, a lonely 9‑yearold girl, befriends an alien creature, a 3D character from a TV series, who is stranded on earth in the world of human beings. The two start a different kind of friendship in which the creature learns that not all human beings are evil and greedy, and Iida learns the truth about her father’s old imaginary friend. Iida and her big brother help the creature build an improvised device to return home, even if this means she will lose an unexpected but dear friend. Little do they know that a few competing international task forces work day and night to track down the whereabouts of earth’s visitors from out of this world to gain access to their vast energy resources.
What happens when you are in love with someone, you don't know how they feel about you, you have a job interview in the morning...and you cannot sleep?
“What the hell happened to my country?” After Donald Trump’s election, this is a burning question for Susanne Brandstätter, an American filmmaker who’s lived most her life in Austria. With the critical distance of a European and an insider’s eye, she gets close to Trump voters in Ohio: a microcosm of a deeply divided USA. Showing striking parallels to Europe, the documentary explores polarization and why people stick to their political opinions – no matter what. Is there no way out?
Six months into their marriage, apple farmer Myeong-Cheol (Park Won-Sang) and his Vietnamese wife Natree (Kim Ye-Won) experience difficulties with their marriage. Myeong-Cheol craves intimacy which seems to be lacking. Natree develops feelings for her doctor (Kim Jung-Hun) at the local clinic. Meanwhile, Myeong-Cheol's first love Eun-Yeong returns.
Making-of documentary of Gus Van Sant's 'My Own Private Idaho'.
Filming their lives, five high school friends document themselves drifting apart over their college years.
94-year-old New Yorker, Jack Beers, has broken the age barrier full force. He can do what most young men can, and his diverse lifetime achievements would take many to accomplish. The film begins with Mayor Bloomberg acknowledging Jack, we see Jack's name on the marquee of Radio City Music Hall, and at 94 he rips a telephone book into 4 pieces with his hands. Jack was raised in poverty in Manhattan, was a strongman, built Radio City Music Hall, at The Manhattan Project he invented something that shortened WW2, erected the Empire State Building spire, was a professional dog trainer, was a film actor in 200+ films, beat terminal illnesses, and today rides 5 miles on a stationary bike. He's "goin' for 100!"
What can I say about a private letter?
A short drama
A short animated story that depicts the sexual yearnings of a man through a series of hallucinatory dream-like and surreal sequences.
Behind a three-meter-high wall, crimes of the imagination are concealed. This film is presented as a great fable within another to accompany women sectioned in a neuropsychiatric hospital who present themselves as artists, poets, and gardeners. Setting aside diagnoses and scientific knowledge about madness, we will accompany the imagination of women diagnosed as alienated to release them randomly from their own poetry.
Frans Bromet ends up in the Reade rehabilitation clinic in Amsterdam after a brain haemorrhage. He soon picks up his camera and films his roommates and healthcare staff. Frans discovers how important intensive guidance is. But the bond with his fellow sufferers is also greater than expected. When he hears of upcoming budget cuts, his concerns grow about the future of the institution and therefore also about the rehabilitation process of the clients.
After a failed suicide attempt and time in a psychiatric hospital, Raffael, a young father, decides that he must create his own “missing screw.” Over the next six months, with the help of a sculptor friend, he meticulously crafts a 10-foot screw sculpture while documenting the process with a found video camera. Raffael leaves the psychiatric hospital, curious to see if art and creativity could help him survive in the outside world. With no money and only a vague plan, he says goodbye to his family and embarks on an epic, poignant, often hilarious journey around the globe. He travels with the screw to the Dachau concentration camp, Van Gogh’s grave, the Guggenheim Museum, and the Ganges River in India. Along the way Raffael finds patrons, lovers, and friends - but his son feels abandoned. Can Rafael reinvent himself, his art, and his family?
As a teenager, Mutlu Kaya, a Kurdish woman from southeastern Turkey, was a promising singer. She was on the brink of breaking through to the final of Turkey’s Got Talent in 2015 when she was gunned down by a man whose marriage proposal she had refused. She suffered life-threatening injuries.
"Boku no Kareshi wo Shokai Shimasu" consists of four stories, with four different couples (seven students and a teacher) from the same school.
Shigeru, a serious young man who works as a glass cleaner, has an older brother Kenzo, who has returned from prison. Kenzo was determined to become cool, but he was exposed as the culprit of the boss's murder, and he was killed. To clear the name of his brother Kenzo, Shigeru, with the support of his girlfriend Asako, sets out to find out the truth. A combination yakuza-youth action with heavy romantic overtones.
A teacher turns to a dubious man to raise money for her daughter's life saving surgery, a crisis that is unexpectedly catapulted to a national stage
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Escaping Evil: My Life in a Cult brings viewers face to face with people who spent years living in fear according to a megalomaniac's version of the truth. Compelling interviews and remarkable re-creations offer a rarely seen firsthand picture of life inside a cult.