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While waiting for the brain surgery of his daughter Angela, victim of a motorcycle accident, the surgeon Timoteo recalls his torrid affair with and passion for Italia, a simple woman from slums in the periphery of the big city where he lives. The ghost of the beloved and sexual object of desire Italia chases him in his memories.
Based on Western tales from the usual suspects: 1001 Nights, C. Perrault, Beaumont, J. & W. Grimm, H. C. Andersen, C. Collodi, English fairytale, H. Pyle, L. Carrol, J. Swift, A. Dumas, E. T. A Hoffman, L. F. Baum, and J. Spyri.
Only 21 stories were broadcast, with the last five being released on VHS.
A famous South Korean celebrity Han Joon Oh suffers a car accident and wakes up possessed by a vengeful ancient nobleman Do Ha, seeking revenge for his past life
Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.
Momoko is a high school student, trying to live up to her older sister Sakura. Sakura works in an office along with many other co-workers. The two sisters, and their friends, experience the everyday hardships and situations of being a woman.
(Source: ANN)
A mysterious group of ninjas makes a surprise attack on the Konohagakure, which takes great damage. The nightmare of another Shinobi World War could become a reality. Sasuke, who was still a missing nin from Konoha trying to kill his brother, Itachi, appears for the second time in front of Naruto at an unknown location to prevent it from happening.
The post-war everyday life of the Gashi-Hoxha family, during the 2000s Kosovo.
A familiar Biblical tale transformed into a cinematic opera of seemingly endless possibility. In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers towards chaos and sin. Set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.
