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From this "inexorable disease", Hervé Guibert did not recover. The miracle he had so much hoped for did not happen. But, before his death in 1991, three years after learning of his HIV-positive status, he engraved in his literary and photographic work "the places of [his] suffering", "the stations of [his] way of the cross". With his thin body and sunken cheeks, the handsome man with curly hair that he was, the one whose clear gaze radiated from the seaside photos, fought a fierce battle against AIDS. A fight of every moment against the decay of the body, observed and commented with a methodical care in his autobiographical novels, in particular "To the Friend Who Did Not Save My Life" (1990) and "The Compassionate Protocol" (1991), and of which he testified on television on the set of "Apostrophes"...
Faced with the relentless and unstoppable advance of the Soviet Red Army, from the spring of 1944 until the capitulation of the Third Reich in May 1945, the Nazis evacuated the labor, concentration and extermination camps, factories of pain and death which, during years of nightmare, they had established in the occupied eastern territories. Forced to travel enormous distances, thousands of people died along the way from hunger, thirst and exhaustion.
December 30, 1938, the day of Emile Vandervelde's funeral. Belgium is in mourning and pays tribute to a great militant, the leader of the Belgian Labour Party, a statesman and a key figure in international socialism.
In this short film, Smolders theorizes about the effect of the gaze of strangers on the viewer, particularly in terms of what happens to these models after they have been captured by the image, by the camera.
In a fairy tale world, a winemaker creates the most exquisite wine in the world. When Death herself wants to taste the wine, he discovers that his bride is next on Death list.
A woman accused of murder escapes an asylum and her psychiatrist tries to find her.
A crime drama short student film.
The final chapter in a trilogy by Antony Hickling. The theme of sexuality still predominant the film explores the abuse of the central character Irina as she reveals her sexuality to a hostile society. Ultimately saved by her relationship with man who allows Irina to finally escape her Tormented past. The film remains theatrical in its style and form.
Paris, a few days after the death of the King of Pop and a few days before Christmas, he and she happen to meet in the back seat of a cab. They ride along through the streets, among the city lights, just long enough for an encounter.
1992 French Italian movie
In the summer of 1986, Danièle Huillet and Jean-Marie Straub were working in the park of an old Sicilian mansion and in a clearing at the foot of Mount Etna shooting Der Tod des Empedokles. Assistant cameraman Jean-Paul Toraille toyed around, so to speak, with his first video camera, filming the daily work on the set. Now, 24 years later, he was joined by Jean-Marie Straub in editing the material into a film. Anyone who expected the shooting of Les Avatars de la mort d’Empédocle to be an austere affair, an exercise entirely devoid of humour or a Straubian tour de force is proven wrong: so much lightness, joy, concentration, spells of waiting for the sun to come out – and even proper slapstick in between – is hard to find.
A film by Michel Fano
The screenwriter Nicola Badalucco talks about Death in Venice.