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A documentary with fictious elements. Ms. Elisabeth (Lieschen) Müller from Austria comes to Bonn, Germany to find herself a man. During the search she investigates the connections between neckties, political power and prostitution, and tries to look for the influence the german feminist movement had on the men in Germany's capital.
Meet three men, who grew up in Vidsel, a small village in the north of Sweden. The men feel its hard to find a life partner, they have all found their love in Thailand.
Under a score of abbreviated drones and freeform woodwinds, the Aleinikov brothers cut together a series of images, found and made, that look unfailingly bleak, industrial or both bleak and industrial: disused factories, clunky utilitarian machinery, strings of unsettlingly young violinists, old-timey group portraits with everyone's eyes scratched out. Interspersed are less overtly sinister but somehow eerier snatches of action, like a circling brood of crude stop-motion mice or a bunch of little wooden people chopping wood and sawing logs, all differently affected by the vagaries time and the physical world foist onto film stock. (Text by Colin Marshall)
Afaf is a psychopath, who escapes from her Samnoudi husband on her wedding night, then later meets with two other people and agrees with each of them separately to marry, but she escapes when the moments of the Qur’an come, and the same behavior is repeated with the fourth from which she also escapes, and husbands begin to present Communications on charges of polygamy.
Documentary on child labor.
This video portrays police officers testing out stun guns during an official training session. Karlheinz Stockhausen’s composition Gesang der Jünglinge provides musical accompaniment to the painful reactions of test subjects.
In the darkness gunfire is heard. On a road near a Spanish city an abandoned prison-van is parked. Next to the van lies two dead guards. The two prisoners they transported have escaped.
This film is presumed lost.
Every year men put on red suits, stuff pillows under their belts, and transform themselves into the best possible approximation of Santa Claus. Santa is a living archetype - a mysterious figure who has evolved over centuries, absorbing diverse cultural influences. What does it mean to be Santa in this day and age? A toy salesman? A Saint? Or a timeless Pagan figure, much loved and needed during our long, dark winters
The life in Morocco of an officer of the Foreign Legion, Colonel de Joyeuse.
Reporters Clark Kent and Lois Lane arrive in the small town of Silsby to witness the drilling of the world's deepest oil well. The drill, however, has penetrated the underground home of a race of small, furry people who then come to the surface at night to look around. The fact that they glow in the dark scares the townfolk, who form a mob, led by the vicious Luke Benson, intent on killing the strange people. Only Superman has a chance to prevent this tragedy.
A Chinese general's daughter tracks her father to a slave-labor tyrant's jungle empire.
A group of saints living together in a room in Tokyo's tachikawa apartment, the awakened man Buddha and the son of god Jesus, form an effort to make jokes in order to challenge the manga. Then enjoy the first experience of the karaoke box, in order to escape the heat and enter the family restaurant to sleep for a long time, enjoy the life of the lower world.
A tale of poverty in Salento during the 60s and 70s.
The last eight of a guards regiment of the Northeast Anti-Japanese United Army try to survive and keep on fighting.
Many men in the world in order to support their families have to leave families. Our characters go J the North as shift w3ockers and produce gas. Dimity is ambitious engineer in the middle of his career. Alex is a plumber. He does not pump gas, he pinups feces, but he's old polar wolf. Andrew3, young guy, comes to the North for the first time. Each of our protagonists has his challenges and problems and family story lines. Each of them makes his mean's choice and pay for it. Their stories develop in front of our eyes.
