Film Marr

Hyun-sung arrives at his girl friends house to ask for permission to marry from her parents. And then, He begins to find things strange.

An intimate documentary portrait of an exceptional couple who live in a suburb of Montevideo: Julia, a 65-year-old transsexual whose new gender identity has finally been recognised (after twelve years) by the Uruguayan state, and Ignacio, her lover, a former construction worker with a troubled past. Inseparable for 20 years, the couple are now preparing for marriage. Aldo Garay’s camera follows Julia and Ignacio’s joys and worries, patiently revealing the sources of the strength of their relationship.

The Mascot serenades a lady dog. Another dog that listened and liked the song, wants to imprison Mascot so that he sings in his house.

The Marriage of Figaro that received its premiere on 26 February 1975 in the Komische Oper Berlin was Walter Felsenstein’s last production and in many respects can be regarded as representing his legacy. Having just returned from directing a guest production at Vienna’s Burgtheater, Felsenstein had been working on Figaro since early February 1974. He had already directed three productions of the work – in 1934 in Cologne, in 1942 at the Salzburg Festival and in 1950 at the Komische Oper.

When "Maha" gave birth to "Samir's" first child, she strand further away from "Samir" who is known to be a playboy. Which angers him. Samir meets well-known actress "Sharifa Hamdi", who tries to convince him to divorce "Maha" and marry her.

Based on a short story by Dazai Osamu, produced under the national film law. The film's hero falls in love with the youngest daughter of a family he is visiting to arrange an engagement for his friend who has been drafted to fight in the war.

Silent short (with music and inter-titles) telling an old Indonesian folk tale of a princess who ends up married to a dog.

Shot in dark colours and with an atmospheric treatment, the narrative is sketchy but the plot revolves around Koswara, a driver for Kardiman. Koswara’s brothers and sisters-in-law trade his wife, Aisah, to Kardiman, until his wife goes insane and dies. Agus Herman, son of Kardiman, is as brutal as his father and Mrs. Kardiman, also has an impure background. Her daughter, Nana, who is born without knowledge of her biological father, is almost raped by her stepfather, Kardiman. It is also suggested that Mrs. Kardiman desires Koswara. An experiment from Indonesian directing legend, Teguh Karya, that was not entirely successful.

Newlyweds Mario and Diana discover they have no chemistry. She starts to fall in love with her boss and does not realize her husband also loves another person.

Jorge pays his ex-girlfriend Mariana a visit with the sole aim of talking her out of getting married. At the same time, her future sister-in-law arrives at Mariana's house carrying her wedding dress, so Mariana forces Jorge to hide.

A film about love, about the relationship of a young couple living in a "civil marriage", and their opinion about marriage is official.

Joko and Lastri marry young but they have difficulties in their intimate relationship. Joko used to be afraid of women in general, while Lastri is a tomboy girl.

The hollow everyday life of a couple keeps going - even in a zombie apocalypse.

Searching for meaning in the absence of love

Charming, light-hearted and fizzing with subversive wit, Neil Armfield's sparkling production of the marriage of Figaro captures Mozart's most popular Opera. In this classic performance, recorded live at the Sydney Opera House, Patrick Summers conducts a energetic fresh-voiced cast, headed up by baritone Teddy Tahu Rhodes and Taryn Fiebig who make a vivacious, appealing pairing as Figaro and Susanna, while Peter Coleman-Wright triumps as the lascivious Count Almaviva.

Fish store owner May is thirty and single, so when Chris, a millionaire, appears, May's family is only too eager to send her off. May is crushed when she finds out Chris's only reason for loving her was her resemblance to his ex-girlfriend Linda.