Film Mar

The Young Marrieds is an American daytime soap opera which aired on ABC from October 5, 1964 to March 25, 1966. The program was created by James Elward and written by Elward with Frances Rickett. Authors John Pascal and Francine Pascal also wrote for the series. It was produced in Hollywood by Selig Seligman through his production company Selmur Productions. Producers included Richard Dunn and Eugene Barr. The serial was directed by Frank Pacelli. Mike Lawrence was the series announcer.

The cart comes way before the horse in the reality series "Married at First Sight." Based on a hit Danish format, "Married..." features people who agree to participate in an extreme experiment: Each covenants legal marriage with a complete stranger. Specialists -- including a spiritualist, a relationship coach and a sociologist -- use scientific matchmaking methods to determine each couple, who will not have met or had contact with each other until the wedding day. The series then documents the relationships, including honeymoons and other relatable events of married life. After several weeks, each couple must decide whether to remain together or go their individual ways.

Dr. Mary Harris, a single mother and emergency doctor by day, also moonlights as an underground angel of death - helping terminally ill patients who want to die and slip away on their own terms. So far Mary has managed to stay under the radar; but business is booming, and her double life is getting complicated. When her world starts to unravel, Mary realizes she's going to have to fight dirty if she's going to stay in the killing game.

In 2020, Sheng Shi and Gu Lanshan's marriage, built on deceit and manipulation, began to crumble. Over time, they discovered new beginnings and the true meaning of love.

“What would my classmates think if they found out I was Jewish when, in most of our classes, something was said against us,” Mariette Diamant asks herself. For more than seven decades, this woman -who escaped with her parents from Nazi-occupied France during WWII- would hide the Jewish origins of her family for fear of retaliation. But at 90, Mariette decides to shed light on that past that haunts her, tell her story and reveal her true identity with the sole aim of freeing herself from those wounds that won’t heal, from that pain that never ceases. In the last part of a documentary trilogy about the Holocaust’s ghosts in Argentina, writer-director Poli Martínez Kaplun seizes one of the most powerful tools of cinema— the capability of turning into the perfect counteroffensive for omission.