Film Man Of God Vk

A maternity ward nurse meets and falls in love with an obiturary columnist. Despite their apparent happiness, the nurse begins to feel that something is terribly wrong with their relationship.

The middle of the 1970s. A photographer encounters an emaciated and brooding man with a hawk-like face. The man is called Viktor Atemian and this film is his story. He's a man who tries his hand at writing, meets with success, then falls upon hard times and ends up in the street.

With the birth of New China, a husband-and-wife pair of Overseas Chinese painters resolve to return to the embrace of their motherland, and their child is born under the five-starred red flag. But these Overseas Chinese patriots are persecuted in various political campaigns and their daughter subject to discrimination from childhood. The male lead freezes to death as a fugitive and draws a giant question mark in the snow before dying. The daughter emigrates following the Cultural Revolution; when her relatives try to stop her, she says: "You love the motherland, but does the motherland love you?" Based on a script by Bai Hua, SUN AND MAN was completed in 1981 but permanently shelved following high-level criticism and a public campaign against its "anti-Party" character. The film is said to survive in the studio archive but has never been publicly screened. A Taiwanese adaptation of the script (with some modifications) was released in 1982 under the English title PORTRAIT OF A FANATIC.

A documentary about director Torgny Anderberg who made films about and who fought for the rights of the indigenous people of Peru. It shows Torgny complete his last journey to the jungle to meet with the Ashaninka people. Torgny died shortly after; his colleague Helgi Felixson helped finishing the film.

This film was inspired by a discarded film fragment I found in a dustbin, a relic from a time before the advent of computer-programmed TV. In 1978, Nobel Science Prize winners Pjotr Kapitsa, Arno Penzias, Hamilton O. Smith, Peter D. Mitchell and Werner Arber were filmed in a Stockholm TV studio talking with Bengt Feldreich about fossil fuels, nuclear reactors, genetics, the nature of time and symmetry. My version is a flicker film comprised solely of the Finnish subtitles that were played during the original broadcast. The film runs in a rapid loop, emulating the effect of a Tibetan prayer wheel.

The always easy-going, sensitive and responsive hero of the film turns out to be the very person whose meeting with whom changes the fate of people for the better.

In Bhutan, 11-year-old Yangchen’s father is the country’s glacier specialist, and thus the only person authorized to climb the mountains, which are considered to be sacred. He spends months away from home measuring the rapidly melting glaciers. While hiking through the snow to the farthest reaches of the Bhutanese Himalayas, he faithfully shoots videos for his daughter with his phone. These videos take the viewer into breathtaking landscapes, but it also becomes increasingly apparent that something irreversible is happening.

Formerly a troubled youth, a monk is given charge of a Buddhist temple that is neglected by superstitious villagers who are under the spell of a fake psychic.

Ogün tells his roommate how he reacted witnessing some guys harassing a girl after midnight on the streets.

Villagers pooled up money and drive a sick widow to Yangzhou on a tractor to see a doctor.

This is a story about a man who sends his mother to a nursing home. Right before going into the nursing home, he recommends her to go out. Each family member wishes grandmother to go out for different reasons of their own.

A sad story about a a father's wrong choice that leads to him losing everything including his children.

Martine (24) is still developing her identity. She wants to be seen as a masculine individual – not a lesbian. Mette (35) – the film’s director – is dreaming of becoming a mother. She and her wife Stina, face the big question; Is our baby not going to have a father? Marja (78) and Bodil, part of the first openly gay generation, think their new apartment is too masculine and needs “gender reassignment surgery”.

A documentary portrait of a group of people who had served in the Yugoslav National Army just a few years before the war in the ex-Yugoslavia started. They served a year on the island of Vis, at the time called “The Fortress of Adriatic” because of its strategic position and numerous military installations all over the island. Vis was one of the two Yugoslav islands that foreigners were forbidden to visit. In a very small military barracks on the edge of the island, far away from any civilization, bizarre things started to happen. Thirty years later, ten former soldiers from the same military barracks remember the events. They are of different nationalities – from Croatia, Serbia, Slovenia, to Montenegro – which will be at war with each other just a few years later. Their stories subtly reveal why it is no wonder that Yugoslavia as a country fell apart.

This is a 750 km long road movie about the meaning of life. It's also a different film about the English, understanding why Brexit happened and about a dad and his 2 year old daughter in a pram, walking from Manchester to London.

Takashi, who took the blame when his father shot a gangster, returns home after serving a four-year sentence, only to find it infested with yakuza running a dope ring. Battling gangsters all the way, Takashi searches for his former girlfriend, now a drug addict.