Film Man Of God Enfranc

This film is set in a barren environment, in a pump-house fabricated from plank. It's the history of the relationship of a veteran of 1919 and a disabled, limping boy.

22-year-old Kei refuses to conform to the Japanese achievement-oriented society. He is homeless by choice, living on the streets and under the bridges of Kyoto. His love for nature and music keeps him afloat in his dream world. However, when he runs out of money, he is forced to face reality.

The protagonist of the film works at a metallurgical plant, lives in a small town. Allowing him to spy on his routine life, he talks about his career in large-scale production, the difficulties and responsibilities, the combination of work and family life. From an ordinary story, his words turn into reflections on various problems of survival in modern realities. But he does not lose optimism and ends everything with an inspiring phrase.

A father has kidnapped his daughter. Running out of money, they are on a road trip, trying to reach as far as possible.

For a long time, the forest was more powerful than a human being. The forest was independent and autonomous. Things have changed. The filmmakers observe a forest warden doing his job in the forest with love and care. He answers the questions asked by Fred Jüssi, contemplates on the connections between man and environment and explains human responsibility for taking care of the forest. The forest warden considers himself as a part of the big chain called nature protection.

Tse Man Fu collapsed at home and his daughter filmed the entire process of him receiving treatment. This process also inspired the daughter to take a new look at her divorced parents, her stubborn grandmother and how their three-generation family has been coexisting.

"Meral, when you get married one day, make sure he's got a beard", her grandmother would often say when she was a little girl. Now that she’s a grown woman, Meral tries to explain to her very traditional family that beards are more important to her in ways they could never have imagined.

A group of people float around the discussion of what really means to play a character.

Hong Kong movie

A peasant woman marries a mysterious white man to "improve her race", but finds herself unable to get pregnant.

A groups of native warriors attack a giant kami in the shape of a bear. The kami sets one of the warriors on fire spiritually.

Spin-off short story of the "Senritsu Kaiki File Kowasugi!" series, which is set after FILE-04.

Lake Skadar and all the challenges people who live along its shore must face.

Gaëtan sculpts his muscles and boosts his strength. He pushes the limits of his body and the mountains that surround him form the backdrop of his own inner epic.

The story begins with a scientist creating a device shaped like a man that can be remote-controlled by a machine. The mechanical man possess super-human speed and strength. The scientist is killed however by a gang of criminals, led by a woman named Mado, who wish to get the instructions for building the mechanical man. The criminals are captured before they are able to get them and are brought to trial and condemned. Mado manages to escape and kidnaps the scientist's niece whom she forces to give her the instructions which she uses to build a mechanical man.

A look at the life and music of Pekka Streng who died at the age of 26 in 1975.

Directed by Ze'ev Revach.

Bernardino Fernandes emigrated to Canada in the sixties. Over two decades he filmed hundreds of Super 8 reels, organizing them methodically and obsessively. The Everlasting Man ends an old process, transforming Bernardino's urge of cinema into a film about the images of his memory.

This documentary is about sexism and masculinity. It’s also a journey through reflections on male condition, an attempt to strip away beliefs, myths and prejudices about masculinity. Why is there violence against women? We try to answer that by the hand of a former pimp trapped by his past and an artist, son of a prostitute, who transforms his pain into provocative performances. In parallel, the class of a high school teacher and a team of publicists become debate scenarios on the same theme, while interspersed reflections of several influential men who address the issue of masculinity from multiple points of view. A rich and complex approach that invites us to reflect on our own gender related education and socialization.

People need a leader. Someone has to lead them, even if he is sick. The man in black stands at the bus stop and warns anyone who comes to stand in line. The queue is getting longer. When the bus arrives, the man lets the people in line enter in front of him, and when he prepares to enter, paramedics come and take him away.