Film Man Of God Enfranc

An elderly man's son, dissatisfied at living with his father's senility, forces his wife to abandon his father in the park. Another couple take pity on him and invite him to their home, but when they realize how much care he requires, they return him to the park.

Judo expert Saburô Watari fights his judo master, Tsujido, while simultaneously in conflict with a karate expert.

A very unlikely trio join forces in order to rob a bank: an ex-bandit called Smith, now a cheerful reverend, a nomadic artist and a pickpocket. Their plan is successful, however, and the three make off with the money from the bank's vaults, only to find themselves robbed of their newly-acquired wealth by a young schoolmistress.

Andruman lives in a colony of orphans, transgender, people and the poor. Small jobs keep him alive and afloat. Helping people and other living things around Andru moved on. An act of innocence on Andru's part disturbs the peace of the place when divisive forces in the society manipulates the situation.

Jerry Ross Barrish sees the beauty in—and creates the unexpected out of—discarded materials. The son of hard-working Jewish immigrants with crime-family connections, Barrish worked for 50 years as a bail bondsman, much of it for radical protesters. He stumbled into acclaim as a filmmaker, earning the Museum of Modern Art’s prestigious New Director distinction and winning major European awards along the way. Then one day, inspiration struck as he picked up plastic trash on a beach, leading him to launch a whole new career as a sculptor. Though acclaimed by curators, he long went virtually unnoticed in the commercial-art realm. But at age 75, the unassuming Barrish may finally be on the verge of success, as William Farley’s engaging documentary goes to show. Seeing the playfulness of his pieces, you’ll understand why: with artificial materials, he has managed to capture real life. -Denver Film Society

Khosro Paziresh, poor inventor of a magical washing powder went to see the CEO to manufacture his invention But accidentally fell into the elevator shaft.

An unprecedented, extravagant, passionate film set in Spain and Southern Europe. It depicts the passionate Yujiro who risks his life to invite bullfighting.

Detective Rock must battle the son of his old nemesis Pumpkinman.

Wheels of Fate follows Miyajima’s quest to restore Muhomatsu no issho journeying between Tokyo, New York, and Lisbon while recounting its fateful history using interviews, archival material, and animation.

After his worrying encounter with the Mexican Cartel, Chicken Man devises a plan to defeat his foes.

Alfred lives with his mother in a small village keeping chickens and selling eggs at the local market. He doesn't speak, except to his mother and to children. He has a girlfriend of sorts, although she shies away from any physical contact with her. But more than anything, Alfred wants a child. As natural fatherhood is out of the question he takes the next best option, and makes an application to adopt. With a very un-French lack of bureaucracy Alfred's adoptive son arrives, but turns out not to be the bouncing baby he was hoping for. [taken from London Film Festival 2006 catalogue]

During a night when Mei Liang and his girlfriend, Sima Qiu-Hong are on the same stage during a play for the Dajiang Theater Company, they receive a visit from Qiu-Hong's former classmate, Xie Yu-Lan. Under Yu-Lan's insistence, Mei Liang decides to break up with Qiu-Hong.

The story of a boy who befriends a lonely middle-aged man.

It was once said that the camera is the pen of cinema, but for this film, the camera is the weapon of the filmmaker. The man who closes it refuses conventional communication with a strong desire for self-expression, and throws and scatters his lost "self" all over the place, regardless of who he is or where he is. The camera becomes a part of the artist, crawls on the ground with him, and starts to rotate with him. Self-deprecating, voyeuristic, violent... A vivid depiction of the sick soul of modern youth.

Raul's father Viktor, a Soviet-era Estonian militia officer, shaped his son with communist ideology. Raul was raised in a violent and pathological attitude of the despotic father, blindly driven by the ideology. Driven by his jealousy of his wife and her bohemian lifestyle, Viktor, being a high ranking KGB officer, stated her as a predator against the Soviet nation, and one early morning she is taken by KGB agents to an unknown destination.

The film is based on the early works of Antosha Chehonte.

Man leaves his factory job and sells everything to buy an earth mover and start his own business, travelling from place to place with his wife and child. There is not enough work and he is eventually forced to emigrate after many hardships.

A detective's bride and her bridesmaid are raped and killed on the eve of the wedding, and the bodies are left covered in red roses. The detective is drugged and framed for the murders and he must clear his name and find the killers.