Film Maison

Voice of Silence is a 1953 Italian drama film directed by Georg Wilhelm Pabst, written by Giuseppe Berto, starring Aldo Fabrizi and Jean Marais.

An ensemble movie about a family composed of three children, their parents and their paternal grandmother. We follow them over ten years through five key moments that leave marks on whole families: Departures, separations, returns, deaths and births. This luminous movie, thought-provoking movie seeks have cause reflections about the nature of Time that passes and transforms us.

The Targaryen dynasty is at the absolute apex of its power, with more than 15 dragons under their yoke. Most empires crumble from such heights. In the case of the Targaryens, their slow fall begins when King Viserys breaks with a century of tradition by naming his daughter Rhaenyra heir to the Iron Throne. But when Viserys later fathers a son, the court is shocked when Rhaenyra retains her status as his heir, and seeds of division sow friction across the realm.

Sarah Moreau is a brilliant lawyer who controls everything in her life. Her business woman life does not allow her to leave anything to chance, especially on holidays. And now it's Christmas. Everything seems to be under control. Anything but destiny - When Christmas became the longest day, how to keep the Christmas spirit?

After World War I, a young ex-soldier, Sébastien Monge, returns to his home village. Ignorant of his past, he learns that, 24 years before, his entire family was slain in their home one stormy night. Only Sébastien, then a four-month old baby, was spared. Whilst Sébastien is being seduced by Charmaine, Dupin is killed by someone else. Sébastien’s next victim, the miller Didon Pujol, is also murdered before he has a chance to take his revenge. Sébastien realises that someone is watching his every move and is going to extraordinary lengths to protect him. But who, and why..?

A man of integrity, Monsieur Pic is the accountant beyond reproach of the Banque Universelle. He would not dream of doing anything wrong and everybody knows it. He is therefore justly indignant when a wealthy woman offers him the position of administrator in the whorehouse she is opening soon. But only fools never change their minds and if Monsieur Pic finally accepts the position in the house across the Banque Universelle, he has three good reasons for that: first he does not get the promotion he deserved ; second, his son Albert is hired by Madame Anna as a decorator ; third, Hortense, his daughter has expressed the wish to "work" there too. The good point is that, once in the place, Pic will be rewarded for what he is worth. Even more important, the unfortunate father will be able there to keep a close eye on his two wayward children and protect them from temptation.

Bridgeport, January 17, 2008. A teenage girl is found hanged in her room. While everything points to suicide, the autopsy report reveals something else. Ten years later, the director and cousin of the teenager examine the past causes and future consequences of this unsolved crime. Like an imagined biography, the film will explore the relationship between the security of the living space and the violence that can jeopardize it.

Zélie, 9, admires her big brother Basile who accumulates images like a collector. In the absence of their mother, he involves her in the shooting of his film. But Zélie has to deal with her director’s changing moods.

A new manager, Kyoko Otonashi, has arrived at Ikkokukan, a very old wooden apartment building. Yusaku Godai, a Ronin who lives in room 5, falls in love with Kyoko Otonashi. It depicts the lively daily life of Ikkokukan, a place where unique people gather, centering on the love story between a young widowed manager and her younger lodger.

The father, A-Kuang, is jobless but pretends to go out to work everyday. The mother, A Siou, is willing to sacrifice everything to protect the family. The son, Yi-Peng, has a dream to study abroad. They struggle and sacrifice but they never seem to find what goes on eachother's hearts. When it comes to a seemingly happy ending, perhaps nothing is resolved…

He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.

In the late 19th Century, a brothel madam and her workers are invited to take communion on a small family farm

A silhouette passes in front of a burned hangar and remembers the last moments of its house before it was haunted by a disturbing stain and burned strangely.