Film Maison

Home is more than a place where we live. It is also a feeling of trust, being within your family. This feeling is transferred from generation to generation. This film follows a little boy losing his home through mourning and relocation, and questions if it is possible to recapture the feeling in another place. A central theme in the film is the nature of connections between generations. Differences, similarities, and behaviour patterns that are transferred between the old and the new worlds. They tie together individuals and generations in a family the same way as fine silk threads interlace within the cloth.

Journalist Fatima Jebli Ouazzani wonders whether she made the right decision in rejecting traditional Moroccan marriage.

Marion, an architect, while on the construction site of her new project learns that the construction manager is dead, by talking on the phone with the new one. This new acquaintance will complicate the woman’s relationship with her son.

Lalo's House, a Student Academy Award and DGA Student Award winning film, is inspired by true events. After being taken from home in Jacmel, Haiti, two sisters must escape a child sex trafficking ring, disguised as a Catholic orphanage.

Robert Peroni founds The Red House, a refuge that helps the Inuit population.

Get an up-close look at daily life among the Longhouse People with this short documentary from 1951. It depicts the rites and rituals of this Indigenous community, including a rain dance, a healing ceremony, and the celebration of a newly chosen chief.

A fiery young couple may be as hot for each other as they are ill-suited. An astute look at the stormy passions and knotty intensity that make some relationships alluring to the point of being unbearable.

In the Church of the Holy Sepulchre, in the heart of Jerusalem, six different Christian denominations, Greek Orthodox, Armenian, Syrian, Roman Catholic, Ethiopian and Coptic Christians-have divided the sacred site and simply can not agree on which of the claims on the tomb of Jesus is the most legitimate. So they fight. Sometimes through a difficult time cleaning, sometimes even by force. An intuitive and entertaining approach to the fact that faith is a very human thing.

German war film. This film is considered lost.

David, a child refugee from Nazi-occupied Poland, arrives in Palestine and begins a search for his father who promised to meet him there after the war.

House is the story of a house in West-Jerusalem: abandoned during the 1948 war by its owner, a Palestinian doctor; requisitioned by the Israeli government as "vacant'; rented to Jewish Algerian immigrants in 1956; purchased by a university professor who undertakes its transformation into a patrician villa... The building site is like a theatre in which the former inhabitants, the neighbours, the workers, the builder and the new owner all appear. Israeli television censured the film. "Gitai wants this house to be both a symbol and something very concrete; he wants it to become a character in a film. He achieves one of the most beautiful things a camera can register 'live', as it were; people who look at the same thing but see different things - and who are moved by that vision. In this crumbling shell of a house, real hallucinations begin to take shape. The film's central idea is simple and the film has simply the force of that idea, no more, no less."

Can a house be a metaphor for Arab-Jewish relations in Israel? Amos Gitai returns to the house in West Jerusalem he profiled in 1980. He interviews members of the Jewish families who live there, and he talks with the Arab family who lived in the house until 1948. They are now in East Jerusalem and pay a nearly furtive visit to the street in front of their old house. Gitai also interviews Palestinian laborers at work on renovations and excavating an old tunnel to the Holy Mount. What do people think of each other, what do they think of Israel, what do they think of co-existence? Do the current residents know the house's history?

As the Egyptian society is hit with a wave of religious and national extremism, filmmaker Nadia Kamal and her grandmother Mary resort to storytelling as they recount to the grandson Nabeel the history spanning 100 years of changes. What's a better way than storytelling to preserve identity?

One year after returning home to Northern Ontario for his parents funeral, Robert Chenaux finds himself face-to-face with a career defining promotion; find the money, close the deal, and make partner. After a major investor backs out last minute, Robert scrambles to find the financing and can see only one option. Sell the last piece of family property but, his plan gets complicated when his estranged brother arrives in town.