Film Lullaby En Film

A woman has visions of a dream come true.

Girl sings a Madonna song and texts about her life.

A women is singing a Lullaby to a new born child on a cradle.

At a noisy inn, a young servant woman tries to sing a baby to sleep. The innkeeper and his wife berate and abuse the servant. Later that night, in hunger, misery, and desperation, she leaves and wanders through a Chagal-like landscape. The baby's cries wake up the innkeeper and his wife. Where has the woman gone? For whom is the lullaby?

One evening, a young man falls into a depressive state. Non-narrative art story that demonstrates the beauty of gloomy moods to the viewer. Doomsday poetry.

A young girl struggles to survive the apocalypse in her own, very special way.

Carl Streator is an over the hill reporter whose family mysteriously died years prior. After being assigned to investigate a rash of mysterious infant deaths, he discovers the killer of his own family - an ancient culling song published as a lullaby in a simple children's book. Carl sets out to destroy existing copies throughout the world but is surprised to learn that the people he once trusted to stop the deaths may be involved in the heinous acts.

A young family lives in a mountainous area near a small lake. Their baby is sick. Nothing helps. The father prays to the gods, tying ribbons to the sacred tree. He invites baksy to the house. Baksy discovers an evil spirit that strangles the life force from the child. He fights against the dark forces, but he defeats, and the exhausted baksy leaves their house, letting the helpless parents alone in their misfortune and misery. At night, the desperate mother goes to the lake and begs the great Umai Ana for help. With the rays of moonlight, the goddess of motherhood and family hearth appears in the yurt. There starts a fierce battle between good and evil for the life of a child. An ancient lullaby, intertwoven with ancient prayers, runs like a red thread through the entire film. It is the last thing the parents cling to hope in their hearts, and it becomes a hymn of victory over evil, light over darkness, and life over death.

Rich Hungarian-born orphan Katya Davidov commissions Jordan Kirkland to research her past starting from a photograph, showing her as a child next to an elusive Fabergé music box. Luckily experienced Yankee-Hungarian treasure hunter and womanizer Nick Rostov gently forces his help upon her, although Jordan stubbornly risks dealing with his dodgy competitor Gudrun Kuper and her ruthless employer, count Borodin.

The film director’s message addresses the modern world’s vital problem of loss of consideration for an individual man, who is an object requiring global-scale compassion and contemplation. The scenes that were made in a pseudo-documentary manner of the rebellious 1970’s remind of medieval Pieta exalting self-sacrificingness, pain, suffering and religious ecstasy. Richard ‘Hell’ Meyers, one of the representatives of the rock culture of the 70’s, came up with a term of ‘blank generation’ (the term may evidently be interpreted as a ‘lost generation’) to describe himself and his friends and thus advanced a philosophy of people seeking self-destruction. They get involved in meaningless and deadly situations to find a justification for living their lives. The film represents a story about wounded young men, who find themselves on an island and meet there a girl sailing the seas in a military launch, as a metaphor for an attempt to save the ‘blank/lost’ generation.

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A girl is still dealing with the death of her father. In the midst of her relationship with a detached mother and her own struggle to find peace, she must confront an old wound she deeply buried.

An intimate portrait of daily life for a lonely, yet independent, woman who is hounded by her own relentless inner monologue. We are plunged into the melancholy, doubts, fears, and hesitations of the heroine through Sarah Taibah’s personal and moving performance, meticulously captured by Hisham Fadel.

A young model falls victim to a sadistic cult of sexual slavery, snuff tapes and black magic.

Naoto, who has been wandering in a big city for a long time, always remembers that Takumi treated him kindly throughout his painful childhood. However, Takumi faded away from his life without a trace, which was very hard for Naoto to come to terms with. Naoto returns to his hometown to look for Takumi. Standing in the place where these memories were made, his memory mingles with reality and everything seems to return to the beautiful old days.

An abstract work generated by moving lights through multiple video feedback loops, resulting in a catalog of transient electronic forms. A discovery of ordered patterns within chaotic systems. An exploration of what could be captured in-camera, with no additional graphics or color enhancement. Scored with sounds from the NASA archives, and also with recordings of circuit-bent toys.

A Max Fleischer Screen Songs cartoon with part of it devoted to cartoon animation and the other part to Arthur Treacy, radio's Street Singer, doing the Irving Berlin song, with words and dancing-ball double-exposed at the lower left of the frame for audience participation.

From washing up and getting into PJs, to wishing on a star and listening to a bedtime story, Lullaby and Goodnight provides the ultimate cure to the bedtime blues. Combined with nursery rhymes, familiar lullabies and nighttime favorites, the comforting images and soothing melodies will delight and inspire as well as offer sweet dreams to all.

Music teacher Ron Cooney has been working in the Republic of Ireland's only high-rise housing estate for fifteen years. During this time he has seen the area undergo a dramatic transformation, including the demolition of six of it's seven tower blocks. Ron's ambition is to create a 'world class' collection of music for his talented students to play and write lyrics for. This music will challenge the negative views many still hold of the area - views that have the potential to hold his students back, and undermine the aims of the Ballymun Music Programme.

On 11 June 1986, one day after Morocco wrote football world cup history by scoring a surprising victory over Portugal, government official Daoud is ordered to secure a bridge outside Casablanca that sits between two hostile communities over an empty highway. Here, he is to await the expected but by no means certain visit of King Hassan II. Encounters with government supporters and the families of political prisoners; the mysterious appearance of a foreign woman and a Berber, as well as the story of a football crazy boy all prove to be a bit much for Daoud. Ever since the bloody ‘bread riots’ five years earlier, he has felt paralysed. But the euphoria and the hope he encounters here help to lift his mood. The Moroccan team’s success unleashes a new self-confidence and lust for life that transcends the surreal shadow of the monarchy.