Film Lullaby En Film

Thirty years later, a series of murders surface, and haunts a NY City Detective, who planned the deaths on his twin brother. An investigator discovers the NYC Detective is the murderer living a dual personality of his twin brother.

Black and White UCLA Student Film, Preserved by the UCLA Film and Television Archive. A dramatic short about the wooden horse that is witness to the chaotic late night of a mother, awaking her son. Student film from Tom DeSimone, known for directing gay pornographic films Confessions of a Male Groupie or: How I Learned to Stop Worrying and Love the Electric Banana (1917) and cult films Chatterbox (1977), Hell Night (1981), and The Concrete Jungle (1982), Reform School Girls (1986).

Rektra was once recognized as the most promising and best screenwriter, winning continued success. He could work wherever he wanted to work at any time. However, as time goes by, both his talent and passion for the film seem to fade. He starts to think that making a sensual low-budget horror movie would benefit his life better. In order to overcome the slump, he tries to create an immortal masterpiece of his life inspired by his girlfriend who is an actress. Through her, he meets another woman who has no soul, and continues conversation without sense of time passing by. In the process of getting to know her, he realizes his ultimate passion is ignited

Enjoy lullabies heard around the world in this delightful, transporting mix of music and art.

Finally, a full length concert on DVD of this jazz piano legend, filmed in 1991 at the Paul Mason Winery in a state of the art digital and audio production. Shearing's artistry is captured forever as he and bass sensation Neil Swainson caress the ballads of Rodgers & Hart and Hoagy Carmicheal, and swing to the Bebop of Charlie Parker. SELECTIONS: -Freedom Jazz Dance -Why Did I Choose You? -Isn't It Romantic -Estate -Donna Lee -Memphis in June -Lullabyes in Birdland -Moose the Mooch

"For as long as I can remember, The Wizard of Oz has been a film that has held a magical, mysterious grip on my imagination. What I find most intriguing is that people generally take the story to be a child's tale. For me, the film has always had an underlying darkness – an evil that runs deeper than the Wicked Witch and resides beneath the polished surface. In Once in a Lullaby, I strive to bring out this darkness and impart an altered version of Dorothy’s dream, which in this case is more of a beautiful nightmare. I recommend listening to it with a nice pair of headphones or versatile speakers."

A pregnant young woman, Alexandra, who begins to notice clues, which indicate the existence of another woman in her marriage, finally finds the mysterious woman is her younger self when their love was still fresh and vivid.

Lullabies is a false autobiography. A game that sometimes is blue or has no color. A story that, as Dominican conversations, won't finish its ideas and finds in onomatopoeias conclusions to its thoughts. A tale about a glance, a space, an action, or a love, but that definitely belongs to the boy that appears and disappears in the abstraction of a childhood memory.

Captured over 14 years across two continents. Sing Me a Lullaby is a story about a daughter's search for her mother's birth parents and the complex tensions between love and sacrifice.

The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.

Adapted magnificently to the screen by the director Khoa Lê, the diptych serves both as an archive of research and creation work aborted by the constraints of an uncertain era and as a delicate and unique cinematographic object.

Sound/intoxication (Rauschen) is what the music video is about, say the artists, and the ecstatic (Rauschhaft). The German play on words actually makes sense in MY KINGDOM FOR A LULLABY #2; it suits a piece, in which electronically generated sounds and images are modulated and combined in a thoroughly sensorial or even ecstatic manner. The term «white noise» refers to both visual and acoustic elements. It is a prevailing theme in this video, an abstract piece, which requires that the viewer look and listen with utmost attention. On a white screen appear horizontal and vertical lines in delicate gray. First they alternate, then overlap, fade, then become more intense. The soundtrack plays a primary role, is equally as powerful (and elusive) as the images: a composition of crackling, noises (Rauschen), and whirring begins to emerge; music comprised of subtle electronic tones and high frequency distortion.

MY KINGDOM FOR A LULLABY # 4 Basic musical material such as feedback, various sound spectrums, etc. and a live performance of »visual music,» translated into digital images.

A migrant working-class couple, after losing their daughter to an ill-fated destiny, seeks friends in each other.

This is an Indonesian horror film based on the lullaby ‘Oo Nina Bobo’. The chilling tale depicts the life of a young boy whose entire family was murdered in their house and he has since become mentally unstable. A few years later, the young boy believes that the death of his family was no accident and they had fallen victim to a demon who is coming back to finish what it did not all those years ago.

The PS22 Chorus from Staten Island became a YouTube sensation when their teacher started posting videos of them singing on his blog. At their annual Holiday Concert they received a surprise visitor. Anne Hathaway was there to invite them to be the featured performance at the 83rd Annual Academy Awards! Once in a Lullaby follows these lovable fifth-graders from the streets and hallways in Staten Island to the Kodak Theatre in Hollywood, where creative differences, lost voices, and homesickness threaten their performance.

A female voice whispers poetry among animated chaos.

A little bunny gets trapped in her own dream- to leave, she must relive her nightmares.

After the loss of a child, the heroine tries to find support in the world as well as in herself in order to become happy again.

A hallucinatory exhibition of various elements of cinema & everyday life; kaleidoscopic musings tangential to meditations in nature, as well as vibrant reveries in the periphery of cityscape ruminations.