Film Lull

"Nani-na, sleep tight" is the song Bulgarian mothers sing to their little babies. It is obvious that the same song is sung to the little babies in the women's prison in Sliven where the great Bulgarian director Binka Zhelyazkova made two documentaries, the first one named "Nani-Na" /"Lullaby"/ with the incredible true stories of the prisoners in that facility. Immediately forbidden, this movie plus the other one - "Lice i opako" or "The Bright and Dark Side of Things" also made the same year were shown 8 years later when the socialist regime wrongly named as communist one fell apart in 1989. Sadly, Binka Zhelyazkova made no other movie after 1990 until her death in 2011. Deeply insulted by the Bulgarian authorities she decided to decline from cinematographic work, which is something very frustrating indeed, given that all her movies are now evergreen classics.

Bokar Hikmat along with his assistant Tofan enter Golshan Javid Institute for repairs. At the same time, Mrs. Gulshan, the owner of the charity, is there to evacuate the institution. Go, the charity children are trying to dissuade Golshan from his decision by asking and insisting. This incident involves reward and storm in unpredictable adventures.

A ruffian joins the ranks of the emperor’s guards.

A simple Russian guy, Daniil, returns home to his beloved wife after a long business trip, only to find himself surrounded by empty walls and strange sounds.

Lullabies are our first connection to the world – a universal experience we all share, yet it remains deeply personal. "Can you recall a song that your mother would sing for you to fall asleep?" is the question Tamara Trampe and Johann Feindt ask people they meet in the streets of Berlin.

After she is forced to move in with her estranged daughter, an elderly religious woman begins to connect with her young grandson.

The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.

Japanese movie.

At the end of life, an old female moneylender faces a financial crisis. She still chose to do for her own desires, ignoring the warnings from the last remaining family member.

On a Wednesday morning, Kenji goes touring with his girlfriend when he spots some other riders waiting and stops his bike. One of them explains that a legendary female driver nicknamed Wednesday Cinderella passes this place every Wednesday in her white Porsche. Kenji becomes interested in this mysterious driver; however, racing with her proves more dangerous than it first seems to be.

A single mother for years had an amazing relationships with her son. But all ended when a young girl joined the family.

Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.

A social drama set in the milieu of the arts.