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Sound/intoxication (Rauschen) is what the music video is about, say the artists, and the ecstatic (Rauschhaft). The German play on words actually makes sense in MY KINGDOM FOR A LULLABY #2; it suits a piece, in which electronically generated sounds and images are modulated and combined in a thoroughly sensorial or even ecstatic manner. The term «white noise» refers to both visual and acoustic elements. It is a prevailing theme in this video, an abstract piece, which requires that the viewer look and listen with utmost attention. On a white screen appear horizontal and vertical lines in delicate gray. First they alternate, then overlap, fade, then become more intense. The soundtrack plays a primary role, is equally as powerful (and elusive) as the images: a composition of crackling, noises (Rauschen), and whirring begins to emerge; music comprised of subtle electronic tones and high frequency distortion.
From washing up and getting into PJs, to wishing on a star and listening to a bedtime story, Lullaby and Goodnight provides the ultimate cure to the bedtime blues. Combined with nursery rhymes, familiar lullabies and nighttime favorites, the comforting images and soothing melodies will delight and inspire as well as offer sweet dreams to all.
Film director Nobuhiko Obayashi went to Russia in 1992 and visited, with his crew, five families from five different cities and asked one member of each family to record their daily life in their homes on video. Using old lullabies as background, the documentary reveals the intimacy, joys, fears and expectations of these families.
A reclusive woman holds the secret to a series of mysterious child disappearances in a small northern community.
There once was a Sleepy Bear who couldn’t get to sleep, Not even after hours on a mattress two feet deep. Warm milk didn’t do the trick, nor did counting sheep, Even the pillow’s synthetic fibre felt dirt cheap. But of all disturbances the worst was his master Fred, And all the ruckus emanating from his bed.
The morals of a Filipino-American family are turned upside down when the mother is diagnosed with mysterious illness.
This heartwarming documentary tells the story of Staten Island's PS22 chorus -- who gained international fame after their YouTube videos went viral -- following them from their school auditorium to their engaging performance at the 2011 Oscars.
Finally, a full length concert on DVD of this jazz piano legend, filmed in 1991 at the Paul Mason Winery in a state of the art digital and audio production. Shearing's artistry is captured forever as he and bass sensation Neil Swainson caress the ballads of Rodgers & Hart and Hoagy Carmicheal, and swing to the Bebop of Charlie Parker. SELECTIONS: -Freedom Jazz Dance -Why Did I Choose You? -Isn't It Romantic -Estate -Donna Lee -Memphis in June -Lullabyes in Birdland -Moose the Mooch
Baby, a thirteen year old between childhood and the temptations of the adulthood. With a dead mother and a careless drug addict father, faces a dilemma that might take away her soul.
Music teacher Ron Cooney has been working in the Republic of Ireland's only high-rise housing estate for fifteen years. During this time he has seen the area undergo a dramatic transformation, including the demolition of six of it's seven tower blocks. Ron's ambition is to create a 'world class' collection of music for his talented students to play and write lyrics for. This music will challenge the negative views many still hold of the area - views that have the potential to hold his students back, and undermine the aims of the Ballymun Music Programme.
MY KINGDOM FOR A LULLABY # 4 Basic musical material such as feedback, various sound spectrums, etc. and a live performance of »visual music,» translated into digital images.
Filmed in Nottingham and South London in December 2016.
A woman has visions of a dream come true.
Girl sings a Madonna song and texts about her life.
A women is singing a Lullaby to a new born child on a cradle.
A pregnant young woman, Alexandra, who begins to notice clues, which indicate the existence of another woman in her marriage, finally finds the mysterious woman is her younger self when their love was still fresh and vivid.
A young family lives in a mountainous area near a small lake. Their baby is sick. Nothing helps. The father prays to the gods, tying ribbons to the sacred tree. He invites baksy to the house. Baksy discovers an evil spirit that strangles the life force from the child. He fights against the dark forces, but he defeats, and the exhausted baksy leaves their house, letting the helpless parents alone in their misfortune and misery. At night, the desperate mother goes to the lake and begs the great Umai Ana for help. With the rays of moonlight, the goddess of motherhood and family hearth appears in the yurt. There starts a fierce battle between good and evil for the life of a child. An ancient lullaby, intertwoven with ancient prayers, runs like a red thread through the entire film. It is the last thing the parents cling to hope in their hearts, and it becomes a hymn of victory over evil, light over darkness, and life over death.
Captured over 14 years across two continents. Sing Me a Lullaby is a story about a daughter's search for her mother's birth parents and the complex tensions between love and sacrifice.
A portrait of a young man, played by Tom Rubnitz, babysitting a little boy.
The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.