Film Love Li

On the surface, Kate and Jack, late 20's, are happy. But like everyone, they carry secrets that neither of them is prepared to reveal. After their wedding, they wake from a deep, dark sleep, each alone in a sealed room with no doors or windows, just a projection screen and a monitor with two buttons: one for “yes”, one for “no”. As the horror of their situation unfolds, surveillance films showing their life together, appear on the screen as the monitor asks questions, each more strange and terrifying that the last. It soon becomes apparent that a bizarre test of their relationship is underway, and the secrets revealed lead them deeper and deeper into what could not just destroy their love, but threaten their very lives…

The 17-year-old student Rosy (Heidi Hansen) wants to improve her pocket money: For a pledge of at least a hundred marks, she hands over a key to older men and allegedly her address. Lots of love-goers fall in on the trick. - Fluent comedy.

A movie on the life of the renowned Bruce Lee, especially his relationship with his mistress.

A young cameraman receives a letter from an old girlfriend, announcing that she is to hold a photo exhibition in the United States. Having heard rumors that she has died, he follows his curiosity to New York City.

A young Jewish woman named Helena Citron is taken to Auschwitz, where she develops an unlikely romantic relationship with Franz Wunsch, a high-ranking SS officer. Thirty years later, a letter arrives from Wunsch's wife asking Helena to testify on Wunsch's behalf. Faced with an impossible decision, Helena must choose. Will she help the man who brutalized so many lives but saved hers?

Frank, a young taxi driver from Berlin, falls in love with Jessica, a model. But the calls for help from his brother Ritchie bring him back to a tragic reality. For like Frank, he once was a dope fiend. Ritchie, as for him, is still deep in the hell of drugs, torn between getting his doses and trying to find 4,000 marks he owes to his dealers.

Curmudgeonly author Giles De'Ath, a widower with a marked distaste for modern popular culture, attempts to buy a ticket for a film adaptation of an E.M. Forster novel, but instead finds himself watching a tacky teen sex comedy. Yet when the beautiful Ronnie Bostock appears on the movie screen, Giles finds himself caught in a whirlwind of unanswered questions about both his own sexuality and his place in late 20th-century society.

German director Werner Schroeter invited his favourite opera singers to a 13th century abbey near Paris. There was no pre-planned action. There was no script, no continuity. On the other hand, there were precise constraints that provided the rules of the game: the setting, the Abbey of Royaumont, and the chosen participants. Each singer came accompanied by a person of his or her choice, and worked on an aria chosen by the director.

How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

shaw production

The Film begins with an emphatically serious discussion between Kolle, the sex researcher Professor Hans Giese, and the psychologist Wolfgang Hochheimer. After that follow the first play scenes. In a buoyant conversation, two model cases of sexual difficulties in marriage and their causes are discussed. A newlywed couple one the one side and a couple already married for seven years on the other side discuss about their problems. The words are illustrated by play scenes, short comments which point to the consequences of a lack of sexual education are inserted in between. With the newlyweds, the premature orgasm of the husband causes his wife woes as she is missing the loving foreplay and aftermath. The second husband, an architect who has become father of two children in the meantime, in contrast, neglects his wife in favour of his job.

Caroline DuLac, a baroness and concert pianist, steals three jewel-encrusted Faberge eggs from a San Francisco museum. The eggs were demanded as ransom for her kidnapped fiancé. She boards a plane for the Latin American city of Ladera, as per instructions, and is met by Mike Chambers. Caroline first believes that Mike is one of the kidnappers, until a mysterious man in a trench-coat tries to kill her, and Mike comes to the rescue. They are then both captured by a band of Mexican bandits, who also may or may not be part of the scheme.

A mixture of romantic comedy and investigative journalism, this film reveals how Qatar got to host the football World Cup, and how that brought down football's world governing body, FIFA.

The tragedy of Helene and her husband Pierre, whose life is shattered when Pierre is kept as a political prisoner, while Helene is denied the right to visit him. A growing fear of losing her husband to tuberculosis takes over Helene, who does all she can to meet him, even for one last time.

A religious zealot and his nephew are thrown together on a South Seas Island with an alcoholic beach comber and a native dancer. A battle to see who will "civilize" whom ensues.

While out for a walk in the forest one day, Helena, who is in love with her twin sister’s boyfriend, stum-bles upon a group of scientists setting hormone traps. Anyone who is to come in contact with the hormones, falls in love with the first person they see. Well, what if everyone falls in love with the wrong person?

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

In a small provincial Italian town, a fifteen-year-old boy meets and falls in love with a girl.

José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.