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Chantal, Gabrielle and Nelly, three fiftyish women, decide to make the trip to the wedding of an ex together.
10-year-old Louise has just moved to Mexico. When her lizard, Kéza, escapes, Louise goes looking for him and meets Arturo. Along with Luchador Diego, they pursue Kéza and allow him to be reincarnated as the Mexican God, Quetzalcoatl.
It is dinnertime with much noise and fun. An unusual family is sitting around the table. Louise's relatives: her father, her two mothers, her stepmother, her brothers and sisters. Françoise and Gérard have been in love for 44 years. They have three children. Sybille and Sylviane have been in love for 23 years. They wanted to have a child so they asked their friend Françoise to "lend" them Gérard, her husband. And she said ok.
Whilst on a short weekend getaway, Louise shoots a man who had tried to rape Thelma. Due to the incriminating circumstances, they make a run for it and thus a cross country chase ensues for the two fugitives. Along the way, both women rediscover the strength of their friendship and surprising aspects of their personalities and self-strengths in the trying times.
A journey inside the world of a legend of modern art and an icon of feminism. Onscreen, the nonagenarian Louise Bourgeois is magnetic, mercurial and emotionally raw-an uncompromising artist whose life and work are imbued with her ongoing obsession with the mysteries of childhood. Her process is on full display in this intimate documentary, which features the artist in her studio and with her installations, shedding light on her intentions and inspirations. Louise Bourgeois has for six decades been at the forefront of successive new developments, but always on her own powerfully inventive and disquieting terms. In 1982, at the age of 71, she became the first woman to be honored with a major retrospective at New York's Museum of Modern Art. In the decades since, she has created her most powerful and persuasive work, including her series of massive spider structures that have been installed around the world.
