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Horror anthology series, with each episode comprising two half-hour stories dealing with themes of the supernatural or simply the dark side of human nature.
Tells the story of the adventures of the resourceful Scheherazade. Newly married to Shahryar, a deranged monarch who murders his brides after the wedding night, Scheherazade manages to keep her head by entertaining her husband with exciting stories and always trailing off at the most infuriating cliffhangers.
In this story, water and liquidity are modes of connection between bodies, human and non-human, and the ocean. Hundreds of False Killer Whales have stranded on the coast to protest against the femicide of Juana Llancalahuen, who died under the blows of her husband. The film evokes the violence behind historical and scientific narratives, as they are written by and for the privileged.
TV Movie by Helma Sanders-Brahms.
Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.